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[Take the opportunity to review and access Dan L. Miller’s Complete Works at: Dan L. Miller’s Works]


Rare, Seldom-Seen and Classic Movie Recommendations Blog

I watch movies every day because movies significantly enhance the quality of my life. I enjoy popular movies, award-winning movies, classic movies, and various genres. I find particular pleasure, however, in discovering rare, seldom-seen and classic movies that engage me and leave me with that satisfying feeling of having shared a beautiful artistic moment with those who created the film. Although I view some modern seldom-seen movies, I focus more on rare and seldom-seen movies from the Silent Era, the Pre-Code Era, and the Thirties.

I consider rare movies to be those that are difficult to find or that may be prohibitively expensive. The 1962 French movie Thérèse Desqueyroux, Abel Gance’s Napoleon from 1927, and Disney’s Song of the South are rare because they are, generally, unavailable in the United States in a format that is playable on U.S. DVD players. Seldom-seen movies, on the other hand, are movies that are readily obtainable but are seldom viewed.

Many movie viewers don’t realize the fine quality and artistic importance of rare and seldom-seen movies. One can have an incredibly moving experience discovering and watching movies that people seldom see.

I endeavor in this blog to write short opinions of rare movies, classic movies, silent movies, and seldom-seen movies to point movie viewers to films I know they would appreciate and enjoy and to point out rare and seldom-seen movies that viewers should avoid because of poor quality or boring content. I include in each entry the movie title, year of release, and stars. I devote just a few words to the plot because viewers can easily access detailed synopses and reviews on such sites at IMDB.COM and AMAZON.COM. I provide a few sentences of opinion on the movie and then finish with my recommendation and a link to the movie on IMDB.COM. If I indicate a movie is a must see movie, I am confident anyone watching this movie will find the experience gratifying.

I record most recent posts first and include posts from previous years in archive PDFs.

Where does one find rare and seldom-seen movies?  AMAZON.COM sells most of the seldom-seen movies, and many are very inexpensive if one buys used DVDs. In some cases, seldom-seen movies are not for sale in the United States. In these cases, search the internet to find the movies for sale from foreign vendors. The cost of foreign-purchased movies is, in most cases, not much more expensive than movies purchased in the United States. (Carefully check the regional code for foreign movies, however, because some may not play on U.S. DVD players. In these cases one can use computer software to recode the movie.)

A free source of seldom-seen-movies is the public library. One can request nearly any movie through the local library’s interlibrary loan process. The library can obtain at no charge any movie located in one’s state. For a small fee, the library can obtain any movie cataloged in the United States. One can also find seldom-seen-movies on the American Movie Classics (AMC) and Turner Classic Movies (TCM) cable channels. Their web sites list schedules of movies. Another source for viewing rare and seldom-seen movies is the website archive.org/index.php. One can watch online movies on the site or download movie files of videos in the public domain. There are also links on the IMDB.COM website for viewing movies in the public domain.

I strongly encourage those interested in movies to explore rare and seldom-seen movies because the viewing experience can be rewarding and enjoyable. Take a break from popular movies and discover movie-making geniuses from the past and movies featuring stars who deliver astounding performances.

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Because I appreciate movies, I begin my blog with quotations that demonstrate the importance of movies in our culture and the enjoyment one can get from viewing films. I also present a voluminous collection of film quotations on the Best Quotes for English Teachers and Students page of my website.


The films made in the first half of the 20th century are in many ways superior to the films being made now. It wasn’t an industry forced by bankers and investors to pander to 18-year-olds. A film now has to fill vast numbers of seats. Studios have to show huge profits to the multinational corporations that own them. Not exactly like the old days of classic Hollywood.

–Mike Disa

The movie is the imagination of mankind in action.

 –Gilbert Seldes

I always liked movies…they were Milk Duds for the soul.

–Joe Queenan

The moving picture is beautiful; the moving wind in the trees is more beautiful than a painting.

–D. W. Giffith

All life’s riddles are answered in the movies.

–Steve Martin

The cinema has no boundaries. It is a ribbon of dreams.

–Orson Welles

There are more valid facts and details in works of art than there are in history books.

–Charlie Chaplin

How can a serious, passionate artist not make film? It’s the most important art form ever created.

–Mike Disa

Through the magic of motion pictures, someone who’s never left Peoria knows the softness of a Paris spring, the color of a Nile sunset, the sorts of vegetation one will find along the upper Amazon and that Big Ben has not yet gone digital.

–Vincent Canby

Pictures are for entertainment, messages should be delivered by Western Union.

–Sam Goldwyn

We live in a box of space and time. Movies are windows in its walls. They allow us to enter other minds—not simply in the sense of identifying with the characters, although that is an important part of it, but by seeing the world as another person sees it.

–Roger Ebert

The world of reality has its limits; the world of imagination is boundless.

–Jean-Jacques Rousseau

Film is the only really vital American art form right now. It’s a unifying, worldwide, powerful art form that’s unique in human history.

–Mike Disa

If I can make them laugh and through that laughter make this world seem just a little brighter, then I am satisfied.

–W. C. Fields

When a movie transports me in an emotional way, it inspires my imagination or my intellect. I love to lose myself in the characters or the world the director is creating. It’s rare and wonderful.

–Ron Howard

Film is a disease. When it infects your bloodstream, it takes over as the number one hormone; it bosses the enzymes; directs the pineal gland; plays Iago to your psyche. As with heroin, the antidote to film is more film.

—Frank Capra

One can be sad, alone, detached from family and friends, and the movies can fill a void. Film can provide one for a short period of time with an intimate relationship with characters who fully participate in all aspects of life. One becomes absorbed in a film and vicariously experiences life through characters created by gifted artists.

–Dan L. Miller

Television and film are our libraries now. Our history books.

—David Strathairn

The carpeted, gilt-adorned palace interior of the theater, where in the darkness you find two seats, whisper a remark or two, and go lifting, speeding into the great moving magic of the silver screen which pulls all into itself, lulling with the magnetic other-worldliness all who sit in adoration before it. The collection is taken discreetly at the door by the gaunt, gray-haired man in the scarlet uniform with the crust of gold braid, and the worshipers are ushered to their cushioned pews in reverent darkness. No matter if they are late; the service is continuous, and if the beginning of the first mass is missed, one may stay through the beginning of the second to achieve full continuity. In the democratic twilight, the clothes of the patrons are not in evidence. If Mrs. Allan’s hat is out of taste, if Mac the cabdriver snores through the dull first lesson or the news reel, if Mamie and Joe nuzzle each other playfully, fondly in response to the sermon of a screen kiss, there is no one to be censorious, no one who really minds. For this is the altar at which more Americans spend their time and money, daily, nightly than ever before. Here the mystic incense of the traditional popcorn, chewing gum and chocolate, of mixed perfume and whiskey smells is neutralized and cooled by the patented air-conditioning system. And here people can lose their identity in a splurge of altruism before the twentieth century god. His messengers, his missionaries are everywhere. Dark in the room above your heads, one runs the machine; reel after vibrating reel of divine life circles under his directions onto the mammoth screen, playing forth the drama, the life force, the Bible of the masses. Rave notices are circulated in the newspapers. Everybody reads them. Sex and slaughter are substituted for the sin and sulphur of the pulpits, now quite antiquated. Instead of watching a man dictate manners and morals, you watch the very workings of these manners and morals in an artificially constructed society which to you, is real. Which, to all the worshipers, is the most wonderful and temporary reality they could every hope to know.

–Sylvia Plath

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Recommendations from 2016

2016 Posts

Recommendations from 2017

2017 Posts


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Dance, Girl, Dance (1933) Alan DinehartEvalyn KnappEdward J. Nugent, Mae Busch 

Young girl, Sally, runs away with a vaudevillian, Joe, who heads a lame comedy act. He’s attracted to the magician’s assistant, Claudette,  dumps Sally, and makes Claudette his partner in his act. He fails miserably, Claudette dumps him, and he moves from one low level job to another. Meanwhile, Sally joins a chorus line, even though she’s pregnant, has to leave to have the baby, and then returns to become a cabaret star and the light in the eye of the producer. The plot of this film could work well, but it’s not well-developed nor executed well. (I’m sure I saw a cut version of this film, which is common with these PreCode dramas.) The acting also falls short in this film. Singing, dancing, and chorus girls provide a moderate level of interest, but, overall, this is a film for viewers desperate for entertainment. IMDB: Dance Girl, Dance

Beauty Parlor (1932)  Barbara KentJoyce ComptonJohn Harron, Mischa Auer

Sally works as a manicurist in a beautify shop/barber shop awash in licentiousness. The men want manicures and dates with the manicurists that include dinner and breakfast. Sally remains the good girl, rebuffing all advances. When her friend quits her manicurist job to take a job that pays well and provides good clothes and good times ends up in jail, needs bail money, and the beauty parlor lays off Sally, Sally looks for a way to survive. This film deals with PreCode issues in an interesting and entertaining way. Barbara Kent corners the market on cuteness, and nails her role in this film (as in her other films)—she’s a good actress. The film is well-done, entertaining, and, although frivolous, is must-see viewing. IMDB: Beauty Parlor

Behind the Make-Up (1930) Hal SkellyWilliam PowellFay Wray, Kay Francis

Failing vaudevillian, Hap, on his way home after a performance, helps a man out of the gutter, takes him home and feeds him. The man turns out to be the once-famous vaudevillian, Gardoni. They decide to team up, fail, and Gardoni abandons Hap. Hap falls in love with the waitress at the restaurant where he ends up washing dishes. At the theater one night, they see Gardoni, who has stolen Hap’s ideas for an act. They go backstage to see Gardoni, who instantly falls in love with Hap’s girl. The fortunes of the three rise and fall throughout the rest of the film with one heart of gold, one cold heart, and one confused romantic. This film did not look appealing at first, but, despite mediocre acting, the interplay of the characters created the interest. As in most of the Precode films, a dazzling beauty plays the lead, and Fay Wray fits the bill in this one. The plot plods along, but the interest never fades in this one. The entertainment value is moderate, but it’s well worth watching. IMDB: Behind the Make-Up

Broadway (1929) Glenn TryonEvelyn BrentMerna Kennedy

All of the action in this film takes place in a nightclub. The bootlegger for the club bullies everyone and pursues the cute, naive chorus girl who keeps insisting she’s a ‘good girl.’ The lead singer at the club also loves her and tries to protect her from the womanizer. The bootlegger has also moved into another bootlegger’s territory, and conflicts result for the intrusion. A couple of murders occur during the action, and the film ends in a flourish with a primitive color scene. No recognizable actors star in this film besides Evelyn Brent, and the acting across the board suffers—some scenes are so bad it’s painful to watch. The film focuses on the chorus girls, who perform a number of dancing acts in the club.The entertainment value of this film registers as moderate. It’s worth watching, but nothing extraordinary here. IMDB: Broadway

Dancing Man (1934) Reginald DennyJudith AllenEdmund Breese

Gigolo, Paul, dances with many older women for obvious benefits. When he runs into a young woman he’d known previously, they fall in love. She eventually learns of his dicey profession and that her father’s much younger wife is also in love with the ‘dancing man.’ A murder involves all the principals in this cast, and the soap opera turns into a murder mystery. Other than Reginald Denny, there are no accomplished stars in this film, and the mediocre acting reflects that fact. Despite the acting, the plot delivers the interest in this film. It moves quickly, creates suspense, and produces a film worth watching. IMDB: Dancing Man

Daring Daughters (1933) Marian MarshKenneth ThomsonJoan Marsh, Bert Roach

It’s a cynical world with the women thinking all the men are after sex, and the men thinking all the women are after money. Terry, who works at the cigar counter of a swanky hotel, gets hit on continually and keeps most men at bay with her story of a sick grandmother at home. When she meets a legitimate guy, she’s overly suspicious and has to deal with his wealthy uncle who threatens her to stay away from his nephew. Additionally, her little sister comes to live with her, and Terry tries to protect her from the predators. As with many of the films of this era, mediocre acting reigns, although Marian Marsh performs at a level above the rest.. The story engages the viewer, suspense grows, and the relationships intrigue. You’ll enjoy this film. I consider it must see viewing. IMDB: Daring Daughters

Safety in Numbers. (1930) Charles ‘Buddy’ RogersKathryn CrawfordJosephine Dunn

Bill works in his uncle’s business and boosts office morale by organizing games that show off the office girls’ legs and underwear. His uncle finds him too immature to handle the $25 million he’ll inherit when he comes of age. Therefore, he sends him to New York to mature in his relationships with girls before he inherits his money. His uncle has arranged for Bill to be supervised by three trusted women. Bill assumes they will be dowagers, but they turn out to be three young women who compete for Bill’s affections. This film appears promising at the beginning, but takes a nosedive quickly. Corny songs dominate this romantic comedy, and only a few of the comedic moments work. An imaginative silhouette of dancers superimposed over city scenes illustrates a cinematic innovation of the period. The best quote from the film regards a well-mannered girl who does’t drink or smoke. A male acquaintance quips, ‘It isn’t natural for a girl to be so nice.’ Average entertainment value here. Buddy Rogers and Carole Lombard working together make the film interesting, and it may be worth a try, but don’t expect an award-winner. IMDB: Safety in Numbers

Sally in Our Alley (1931) Gracie FieldsIan HunterFlorence Desmond 

Before George goes off to war, he promises to marry Sally on his return. She keeps his photo on her mantle and his promise in her heart. Injured in the war, George asks his buddy to tell Sally he died because he felt she deserved better than half a man. Those in Sally’s neighborhood, including his buddy and the proprietor of the restaurant where she works and who wants to marry her, spread the lie that George married a girl he met in the war. Many factors work against a reunion with George, including a conniving young girl Sally takes in because of an abusive father. (Florence Desmond plays the young girl to perfection and scores one of the film’s highlights with an impersonation of Garbo.) This romantic drama works well and stars a renowned British actress and singer. There’s tension throughout, adequate acting, and a plot that keeps the viewer’s interest. Viewing the great Gracie Fields at work makes this film worthwhile. If you can wade through the British accents, you’ll enjoy this film. IMDB: Sally in Our Alley

Secret Sinners (1933)  Jack MulhallSue CarolNick Stuart, Cecilia Parker, Bert Roach 

Margie leaves home and won’t return. In her new city she finds work as a cleaning lady in a rooming house. Fired on her first day, she meets chorus girl, Susan, who gets her into the chorus line at the theater. Margie meets wealthy Jimmy outside the theater, dates him for a month, and then, after a confrontation with his wife and her boyfriend in a nightclub, realizes she loves a married man.  Meanwhile,  Jimmy’s wife and her boyfriend hire a detective to catch Margie and Jimmy in a compromising situation so Jimmy’s wife can get all of his money instead of half in a divorce. This film features chorus girls, nightclub performances, and complicated romantic entanglements. Amateurish acting, a passable storyline, and an average level of entertainment make this film watchable but not essential. IMDB: Secret Sinners




Forgotten Women (1931) Marion ShillingBeryl MercerRex Bell, Virginia Lee Corbin

Young movie actress, Patricia, loves struggling newspaper reporter, Jimmy and plans to marry him. Jimmy breaks a big story and becomes the paper’s hero. He also attracts the attention of the rich, boss’s daughter, who sets her sights on Jimmy. Jimmy learns to love the lives of the rich and famous and leaves poor, devoted Patricia in the dust. Mediocre acting doesn’t detract from the fast pace, engaging story, and suspenseful romantic entanglements. This early talkie will win you over and is well worth watching. IMDB: Forgotten Women

From Hell to Heaven (1933) Carole LombardJack OakieAdrienne Ames, Shirley Grey

The residents of a hotel and a fired jockey all have stakes in the upcoming horse race. The mixed plot lines in this film all merge at the big horse race. The racing scenes lend some excitement to the film, but the movie never rises to the level of a first-rate film. Carole Lombard shines in an early role for her, but the movie meekly mimics the Grand Hotel of the same period. Better films warrant your viewing time. IMDB: From Hell to Heaven

Midnight Girl, The (1925)  Lila LeeGareth HughesDolores Cassinelli, Bela Lugosi

Complicated soap opera here. Wealthy Nicholas Harmon supports the opera house and also supports the leading lady as his lover. His son, Don, secretly also loves the star. After a falling out with his father, Don stalks out and starts life without his father’s support. He becomes the band leader in a cafe, discovers a beautiful singer to star in his show, and falls in love with her. Meanwhile, Don’s fiancé, who plans on marrying him for his father’s money, interferes in his relationship with his beautiful new star. In addition, Nicholas wants to make his son’s discovery the new star in his opera. In trying to woo her away from his son, he wines, dines, and attempts to rape her. Obviously, this film has a lot going on plot-wise. There are also attempted murders, salacious relationships, and a violent rape attempt. Bela Lugosi plays the weasely womanizer to perfection, and, although, this is a mediocre silent soap, it generates enough interest to keep the viewer glued to the screen. Give it a try. You’ll enjoy it. IMDB: Midnight Girl, The

Welcome Danger (1929) Harold LloydBarbara KentNoah Young |

Harold’s train to San Francisco breaks down, he walks to a meadow to pick a flower, and the train leaves without him. He meets a beautiful girl (dressed in coveralls and a cap so she looks like a man—not really) with a disabled car. He bullies the girl he assumes is a man, but agrees to ride in his/her car because she also is going to San Francisco. When he discovers she’s a woman, he falls in love with her. They separate when he again takes the train to San Francisco but pledge to meet up. Called to San Francisco to help solve a crime, Harold becomes obsessed with taking finger prints and creates chaos everywhere. Lame jokes and silly bits dominate this comedy. Add a heavy dose of racial stereotyping and this film can irritate more than it entertains. Truly funny bits appear infrequently. Super cute Barbara Kent, with her appeal and spot-on acting, provides the primary reason to watch this film. (Or one may want to watch Harold Lloyd’s first talkie, which was originally shot as a silent.) IMDB: Welcome Danger

City Limits (1934)  Frank CravenRay WalkerSally Blane, George ‘Gabby’ Hayes

Railroad magnate, J. B. Matthews, endangers his health from overwork and involvement in high-risk financial deals. While taking a trip in his private railroad car in order to relax, he literally falls off the train and rolls down an embankment into a hobo camp. He learns a lot about what’s important in life from his new friends. Meanwhile a reporter doggedly tries to locate J. B. in order to save his business from competitors. Acting is competent, there’s some suspense, a romantic side-plot—but not enough to make this film entertaining. Not one you want to waste your time on. IMDB: City Limits

Consolation Marriage (1931)  Irene DunnePat O’BrienJohn Halliday, Myrna Loy

In love with his sweetheart, Elaine, since childhood, Steve travels to London, where Elaine went to finishing school, to surprise her and ask her to marry. Unfortunately, when he gets there, she tells him she just got married a few days ago. Broken hearted, he mourns his loss for a year before meeting Mary, who also lost her love to another. Although not in love, they decide to marry with the understanding that if love happens in the future for either one, the one left out will understand. As time goes by, a baby enters the equation, both of their fervent loves divorce, and they each want their original loves back. Major conflicts here, heartbreak, sorrow, tears—you get the picture. Rather a soapy love story, but this film satisfies. Top notch acting, an overdose of sentiment, and extreme conflict make this a winner. You won’t take your eyes off the screen. Must see viewing. IMDB: Consolation Marriage



Carnival Lady (1933)  Boots MalloryAllen VincentDonald Kerr, Jason Robards, Sr.

Tom’s wealthy and hangs out with the elite, but when his bank goes bust, he loses everything. He leaves his present life and sets off for the unknown—ending up as a high diver in a carnival.  When Tom falls in love with a beautiful dancer in the carnival, complications abound. This film features unknown actors, amateurish acting, and primitive production values. HOWEVER…it turned out to be highly entertaining. This PreCode drama/romance presents fight scenes, chorus girls, a clever novelty dance routine, daredevil diving, a murder, pickpocketing, behind-the-scenes carnival intrigue, and a beautiful leading lady. Surprisingly interesting and remarkably entertaining. You’ll enjoy Carnival Lady. IMDB: Carnival Lady

Cheating Blondes (1933) Thelma ToddRalf HaroldeInez Courtney, Mae Busch

Factory girl, Ann Merrick, refuses her reporter boyfriend’s proposal because she feels he doesn’t love her. He vows revenge. Her drunken neighbor sexually assaults her. Her screams draw a crowd in the hallway outside her apartment, and the neighbors then hear a gun shot. When the police arrive, they break down the door, find the drunken neighbor dead, and Ann gone. Her reporter boyfriend tries to get to the bottom of the story. Because the available version of this film is missing scenes, the plot gets confusing at times. The story involves a twin sister and registers only moderate entertainment value. Production values and acting are mediocre, at best. (When actors flub their lines, they simply repeat the line correctly. No editing here.) Worth watching, but there are certainly better films with which to occupy your time. IMDB: Cheating Blondes

Sister to Judas (1932) Claire WindsorHolmes HerbertJohn Harron

Anne lives in a dysfunctional family, experiences a crisis at work, and attempts suicide. Rescued by a handsome, young man, she ends up marrying him. Although she loves him deeply, he quickly disintegrates as a human being. This early talkie suffers from poor production values, weak acting, and a contrived plot, but, as with many PreCode films, it features a beautiful heroine and delivers satisfying entertainment. IMDB: Sister to Judas

Sky Devils (1932) Spencer TracyWilliam ‘Stage’ BoydGeorge Cooper, Ann Dvorak, Billie Bevan

Wilkie and Mitchell work as lifeguards at the local beach and pay more attention to the babes than to swimmers in distress. Drafted into the Army, they find the work too hard and try to desert. Thwarted in their attempt, they get transferred to the Army Air Corps, where they are just as incompetent as they’d always been. Spencer Tracy plays the arrogant know-it-all, while George Cooper plays his dimwitted sidekick. You’ll get a few chuckles out of this, a chance to ogle PreCode beauties in their underwear, and an opportunity to see Tracy in one of his early films, but, given all that, this is a film that only mildly entertains and will sometimes make you cringe. The first half of the film involves a lot of silliness that does not entertain. The last half of the film actually contains quality aerial scenes, a decent plot, and better humor than in the first half. Overall, it’s worth a view. IMDB: Sky Devils

Strange Marriage (Slightly Married) (1932) Evalyn KnappWalter ByronMarie Prevost, Jason Robards, Sr. 

Mary’s destitute, standing on a corner waiting for her fiancé, who said he’d meet her there. He doesn’t show up, but an undercover cop asks her if she wants some money. She naively says, ‘Yes,’ and is arrested for prostitution. In court, a man she’s never met stands up and says he’s the man she was waiting for. The judge makes him prove it by marrying her on the spot. He does. Turns out, he’s very wealthy, falls in love with Mary, but fears she wants to stay married because of his money. His mother also thinks she’s after his money, and things get very complicated. Fast moving and strangely entertaining, this PreCode romance/comedy/drama is well worth watching. Light entertainment with suspense and sentiment. Give it a try. IMDB: Strange Marriage

Gambling Sex (1932) Ruth HallGrant WithersMaston Williams

College student Sheila’s wealthy father owns race horses and gambles excessively. When her father dies after being crushed by one of his horses, she lives a life of abandon—gambling, partying, love. She ultimately must decide on her multiple marriage proposals when the money from her father’s estate dwindles away. This routine drama lacks any real emotional punch, and simply tells a story that interests but doesn’t excite. Worth watching, but don’t expect too much. IMDB: Gambling Sex

Half Marriage (1929) Olive BordenMorgan FarleyKen Murray, Sally Blane, Hedda Hopper

Wealthy Judy loves penniless architect, Dick. They want to marry, but Dick wants to wait until he can support Judy properly. Judy proposes a half marriage, in which they marry secretly, don’t tell her parents, who would object, and live off her allowance. Complications arise and tragedy ensues when Judy’s parents and their chosen spouse for Judy, the womanizer, Tom, interfere. This comedy, drama, romance (with some music and dancing—yes, it has it all) really delivers. It gets really silly and syrupy at times, the acting ranges from serviceable to awful, but the story is solid, engrossing, suspenseful and highly entertaining. (Ken Murray, most famous for his home movies of early Hollywood, plays a substantial supporting role in this film). For overall entertainment value in an early talkie, this is must-see viewing. IMDB: Half Marriage

Her Secret (1933) Sari MaritzaWilliam Collier Jr.Alan Mowbray

Wealthy young man, Johnny, carouses, drinks, and spends so much time in jail his father decides to send him to Arizona to run a gas station, establish a normal life for himself, and find a nice girl. Even in a new environment, he continues his bad behavior. He does, however, meet a nice girl, Waffles, who runs the waffle restaurant across from his gas station. Will he ever reform?

Don’t watch this film. The plot itself wanders, and it lacks interest. The worst part of the film is Waffles’ Southern accent. As a girl from Georgia, she speaks with an affected accent that is so grating and irritating that, even if this were a good film, it would be hard to watch. I rate it as the worst Southern accent on film. It certainly ruins this movie. The only redeeming qualities in this film are the glimpses the viewer gets of college life at the time and also the realistic, hair-pulling cat fight in a bar. Don’t waste your time, though. Skip this film. IMDB: Her Secret 

Dirigible (1931) Jack HoltFay WrayRalph Graves 

Crack pilot ‘Frisky’ Pierce competes with dirigible pilot, Jack Bradon, to garner the most honors for their exploits. When an expedition to the South Pole is proposed, conflicts arise as to who will go. Meanwhile, Frisky’s beautiful wife fears his dangerous adventures, and thinks of divorce—not wanting to be married merely to a ‘headline.’ I thought going into this film, ‘Do I really want to watch a movie about a dirigible?’ Well, glad I did. The film entertains with adventure, romantic complications, and suspense. Actors perform only adequately, and the trip to the South Pole unrealistically portrays the conditions, but the movie wins under the direction of Frank Capra. The overall entertainment value of this film qualifies it for a must see movie recommendation. IMDB: Dirigible




A Fool There Was (1915) Theda Bara, Runa HodgesMabel FrenyearEdward José

A devoted wife plans to accompany her husband on a trip to Europe, but her sister falls from an auto and the wife has to stay behind to care for her. In Europe the husband falls in love with a beautiful vamp who leads him astray. Theda Bara plays the heartless, man-eating bitch in this film. Stark melodrama here with no subtlety. Overly dramatic acting. (The child is the most natural actor in this film.) Primitive silent drama with moderate entertainment value. Film aficionados or those interested in seeing Theda Baba at her most evil will find this movie interesting enough to watch. IMDB: A Fool There Was

A Woman’s Man (1934) Kitty Kelly, John HallidayMarguerite De La MotteWallace Ford

Film director, Tom Cleary, loves his leading lady, but his petulant leading lady makes filming nearly impossible. She, on the other hand, seeks to improve her status in life by pursuing a millionaire and a championship prize fighter. Nothing exceptional here, but there are some funny moments in this comedy. Kitty Kelly’s performance stands out, and the prizefighting scene provides an apt climax. The breezy action throughout makes this film worth watching. IMDB: A Woman’s Man

Alimony Madness (1933) Helen ChandlerLeon AmesEdward Earle

A woman marries a successful architect but doesn’t love or respect him. After a year, she colludes with a dishonest lawyer to set her husband up, falsely accuses him of having a mistress, and then divorces him. The husband gets bled dry with an outrageous alimony settlement, and his wife lives like a princess while his life disintegrates. This film focuses on the evils of unfair alimony laws by staging an over-the-top morality play. Weak acting, improbable coincidences, and extreme circumstances make this film a watchable but irksome viewing experience. IMDB: Alimony Madness

Are These Our Children? (1931) Eric LindenBeryl MercerBilly Butts, Mary Kornman

Ernest high school student, Eddie, feels cheated and disappointed when he delivers a poorly received speech in class. A fast girl encourages him to go out with the gang later that night to make him feel better. From that point on Eddies’s life descends into sex, booze, and criminality. Over-dramatization, over-acting, extreme plot stretches, and amateurish acting dominate this truly bad movie. This morality play masquerades as a drama intended to graphically display the evils of alcohol. [Interesting highlight: Mary Kornman, silent film child star, plays a dim-witted floozy in this film.] A hoaky scene ends the film with the image of a minister in the pulpit and Eddie reciting the Lord’s Prayer with a church choir singing in the background. Some entertainment value if you can tolerate the negatives. IMDB: Are These Our Children?

The Doll (1919) Ossi OswaldaHermann ThimigVictor Janson

The Baron wants his son to marry in order to continue the family lineage, but when confronted with 40 local maidens from which to choose a bride, the son bolts. He hides out in the local monastery, but when the brothers discover the enormous sum of his dowry, they get him to promise to turn over his dowry in exchange for a referral to the doll maker, who makes lifelike dolls. The son can then buy the doll, pretend he has married a real girl, and collect his dowry. The doll maker has created his masterpiece—a doll based on his beautiful daughter. Unfortunately, the clumsy apprentice breaks the doll, and to cover the mistake, the daughter pretends she is the doll. The son buys her, and she continues to play the role of the doll. Although the actors play their parts broadly in this early silent and the story is simplistic, the film entertains. The actress playing the doll, Ossi Oswalda, goes all out and creates many laugh-out-loud moments. Ernst Lubitsch masterfully directs this German classic. You’ll enjoy it. Must see viewing. IMDB: The Doll

Feel My Pulse (1928) Bebe DanielsRichard ArlenWilliam Powell

According to her father’s will, Barbara Manning, multi-millionairess, must be kept under continual medical care until she turns 21 because of a suspected weak heart. When she turns 21, her uncle from Texas turns up to take custody. Horrified of her crude uncle, she runs away to a distant sanitarium for rest and continued medical care. William Powell runs the defunct sanitarium as a rum-running center, but acts as the lead doctor and continues the charade of running a sanitarium when he learns of Barbara’s millions. This silent comedy entertains with plenty of action and some laugh-out-loud moments. Bebe Daniels shines in this feature, and William Powell deftly plays the heavy. Entertainment value registers only at average. Worth seeing, however, for Daniels’ performance. IMDB: Feel My Pulse

It Pays to Advertise (1931)  Norman FosterCarole LombardRichard ‘Skeets’ Gallagher, Louise Brooks, Eugene Pallette 

A wealthy soap magnate insists his spoiled son go to work. The son starts a soap business in competition with his father but struggles to keep the company afloat. The father’s attractive assistant, behind the son’s back, has arranged (for a large sum of money) with the father to get the son to fall in love with her and to keep the son working for six months. This sappy comedy about soap relies on lame jokes and improbable situations. Highlights are a brief appearance by Louise Brooks as a beautiful chorus girl and the performance by the  center of attention—Carole Lombard. Light entertainment value and not worth watching unless you’re a Brooks or Lombard completist. IMDB: It Pays to Advertise

Iron Man (1931) Lew AyresRobert ArmstrongJean Harlow

Kid Mason struggles with his boxing career while trying to keep hold of his beautiful but two-timing (or three-timing…or more) wife. When he becomes champ, the title goes to his head, and his wife goes elsewhere. Jean Harlow and Lew Ayres star in this fight drama.  Ayres comports himself well as an actor. Harlow does not. She keeps the viewer’s attention though, commanding the screen and providing the primary reason for watching this film. A decent film worth viewing. IMDB: Iron Man

Kathleen Mavourneen (1930) Sally O’NeilCharles DelaneyRobert Elliott

Beautiful, dark-haired Irish immigrant, Kathleen,  arrives in New York and gleefully wraps herself in the arms of her middle-class fiancee. When they attend a high-class party at the home of a wealthy bachelor, the bachelor connives to get the fiancee removed from the party so he can be alone with Kathleen. Promising her jewels, riches, a mansion and a happy life, the bachelor proposes. This primitive talkie is a musical showcase for Charles Delaney—for Irish dancing and singing. The weak plot includes significant sentimentality but lacks believability. Sally O’Neill, however, commands the screen with her presence and beauty. If not for O’Neill, there would be no reason to view this. IMDB: Kathleen Mavourneen

Lady and Gent (1932) George BancroftWynne GibsonCharles Starrett, John Wayne, Joyce Compton

Washed-up prize fighter, Stag Bailey, comes to the aid of his manager when the manager seeks needed cash by committing a robbery. After the police kill his manager during the robbery, Stag and his live-in girlfriend tell the manager’s young son his father is not coming back. Sentimental and unwilling to send the young lad to an orphanage, Stag and his girlfriend decide to raise him. Not a lot to recommend here, but the artists involved  deliver a competent film with a moderate level of viewing interest. IMDB: Lady and Gent

Broken Dreams (1933) Randolph ScottMartha SleeperBeryl Mercer

When Dr. Morley’s wife dies in childbirth, he can’t even look at his newborn son and leaves the country for several years. Dr. Morley’s aunt and uncle raise the boy until Dr. Morley remarries and wants his son back, who is now six years old. The aunt and uncle do not want to give up the boy, and the boy does not want to leave his only home. His wife, in addition, does not want children. This melodrama lacks dramatic punch and plays on the sentiments of the situation. This mediocre film provides only passable entertainment. IMDB: Broken Dreams




Honor Among Lovers (1931)  Claudette ColbertFredric MarchMonroe Owsley, Charles Ruggles, Ginger Rogers, Pat O’Brien

Jerry, a wealthy executive, is madly in love with his beautiful secretary, but she keeps refusing his advances. He offers her everything but marriage and a family. Only after she secretly marries her boyfriend, does he propose. She, obviously, can’t accept and pledges devotion to her new husband. Through the years of her marriage, Jerry continues to pursue her. This is a top notch Pre-Code drama. Claudette Colbert is superb in the lead role, and the supporting cast play their roles well. Pre-Code characteristics of beautiful women, infidelity, lust, alcoholism, violence—it’s all here in a suspenseful plot that takes wild swings until the final scene. You will enjoy this film. It’s engaging from beginning to end, and I highly recommend this movie. IMDB: Honor Among Lovers

The Wonderful Lies of Nina Petrovna (1929) (Die wunderbare Lüge der Nina Petrowna-Original Title) Brigitte HelmFrancis LedererWarwick Ward

The lonely mistress of a wealthy colonel falls in love with a handsome soldier. When her ‘master’ catches her in an innocent tryst with her new suitor, he encourages her to leave, but she has to leave with nothing—no jewels, no furs. She leaves to live in poverty but in love with her beau. The colonel plots to ruin them both. This tragic love story stars Brigitte Helm, one of the silent era’s great beauties, and a talented actress as well. The production values of this film are excellent for the period, the acting stands up, and suspense as well as tragic love dominate the film. Although unrealistic at times and a bit overacted, the film is engaging from the start. Brigitte Helm is the focus of the film, and she makes it the success that it is. You will enjoy this silent classic. IMDB: The Wonderful Lies of Nina Petrovna                                                                                                                           

The Spanish Cape Mystery (1935) Donald CookHelen TwelvetreesBerton Churchill 

Ellery Queen vacations in a cottage at Spanish Cape. Someone murders a guest in the mansion next door. The guests at the mansion include relatives who stand to inherit a fortune. When the murderer strikes again, the beautiful heiress at the mansion shames Ellery into helping solve the murder. This film delights with its wry humor and puzzling mystery. If you like the standard ‘mansion filled with greedy relatives murder mastery,’ this is a good one. You’ll enjoy it. IMDB: The Spanish Cape Mystery      

Merry-Go-Round (1923) Norman KerryMary PhilbinCesare Gravina

A loutish count and an abusive merry-go-round operator both have their eye on the pretty organ grinder at the amusement park. This film blends violence such as verbal abuse, cruel selfishness, beatings, whippings, attempted murder, attempted rape (two), and [spoiler] murder-by-ape with tender scenes of longing and romance. (The violence far outweighs the romance.) Despite the violence and some improbable coincidences, this silent film is well done for the time period. Actors are still in the broad expressions and actions period of film making, but they are competent and believable. The film feels too long, but it’s entertaining enough to watch and appreciate. IMDB: Merry-Go-Round

Adorable (1933)  Janet GaynorHenri GaratC. Aubrey Smith

A princess visiting a beer hall in the guise of a manicurist falls in love with a dashing, young man who says he works in a delicatessen. Over time she realizes he’s actually a member of her royal guard. A game of cat and mouse ensues until they both finally realize their true identities. Complications arise, however. This romance/musical comedy works well most of the time. The story is syrupy fluff, the acting is hokey at times, but Janet Gaynor is so uber-adorable it’s hard to take one’s eyes off the screen. Although the film is annoying at times, the pleasure derived from the viewing experience makes the experience worthwhile. IMDB: Adorable

Bad Girl (1931) James DunnSally EilersMinna Gombell

A young girl, modeling in a night club, deftly fends off unwanted passes from the cads with whom she comes in contact. Taking the ferry one day, she accepts a bet from her friend that she can’t get a good looking but quietly surly guy to talk to her. She succeeds, wins the bet, and eventually falls in love with the guy. After spending a night in his apartment, her brother, with whom she lives, kicks her out—calling her a tramp. She ends up marrying her  socially awkward lover, but finds marriage a confusing journey—particularly with an unwanted baby on the way. This PreCode film surprises with competent acting, an engaging story, and enough conflict to keep the viewer interested. PreCode qualities include a few underwear scenes and the issue of premarital sex. Sally Eilers endears herself to viewers and makes this little gem a delightful movie experience. IMDB: Bad Girl

Berkeley Square (1933) Leslie HowardHeather AngelValerie Taylor, Alan Mowbray

Peter Standish inherits a house in Berkeley Square, London. When in the house, he time-travels to the time of the American Revolution and interacts with his distant relatives. He has to monitor what he says so as not to reveal that he is from the future. He attempts to change actions from the past but realizes the paths of people in the past are set. Although there are obviously people who enjoy this award-winning film, I couldn’t get into it. It’s slow-moving, talk-heavy, and not entertaining. Most contemporary viewers would find this film boring. IMDB: Berkeley Square

Ella Cinders (1926) Colleen MooreLloyd HughesVera Lewis

Ella works slavishly for her mean step-mother and ugly step-sisters. The handsome iceman flirts with Ella, and she dreams of a better life. Her big break comes when she attends the ball with the iceman and enters the local beauty contest. This silent comedy loosely follows the fairy tale plot of Cinderella with Colleen Moore masterfully delivering the humor—and this film does include hilarious scenes. This well-done film equals the best of the comedies from the era. If you like cute, funny, and entertaining, you will love this movie. Must see viewing. IMDB: Ella Cinders

Lilac Time (1928) Colleen MooreGary CooperEugenie Besserer, Arthur Lake

During the Great War an English air squadron lives in a large farmhouse next to their airfield in France. Jeannine, the young girl who lives with her family in the farmhouse, watches over the airmen like a mother hen, feeding them, entertaining them, and counting the planes when they return. When a new airman joins the squad, he and Jeannine butt heads from the start, but they eventually fall in love. This film engages the viewer from beginning to end. The acting is solid with Moore enchanting her way through this drama/romance. The actors engage in some broad histrionics, but, hey, this is the silent era. You will enjoy this film. I highly recommend it. IMDB: Lilac Time

Sky Pilot (1921) John BowersColleen MooreDavid Butler

A sky pilot [preacher] tries to bring religion to the rough crowd in the Canadian wilderness. Nobody wants religion. A crusty woodsman has given up on religion after he lost his wife. He has a young daughter, though, who becomes a cripple after falling from a horse. Religious conversion plays a role in this film, which also includes cattle rustlers, an arsonist, attempted murders, lots of horses and cattle, snow, and a love interest. Closeups of the young and beautiful Colleen Moore highlight this film that, otherwise, consists of a standard plot, mediocre acting, and the histrionics prevalent in the early silents. I’d rate the entertainment value of this film as average—worth a look but not essential. IMDB: Sky Pilot

Flaming Youth (1923) Colleen MooreMilton SillsElliott Dexter

Unfortunately, Flaming Youth has been lost, as have so many silent films, but one reel has survived. This reel opens with Colleen Moore at her makeup table preparing for a party. Moore has impressive comedic skills, and she aptly displays them in this scene. The remainder of the reel covers a Roaring ’20s party with dancing, drinking, wild antics, forward girls, and an invitation for all to get in the pool ‘in any way you want.’ If you can find this fragment of a film, it’s worth watching. The viewer gets a glimpse of the partying life during the ’20s. IMDB: Flaming Youth

Lonesome (1928) Barbara KentGlenn TryonFay Holderness, Andy Devine

A single man and a single woman live desperately lonely lives in the big city. They meet by chance at Coney Island and instantly fall in love. Unfortunately, they lose each other in the crowds without knowing each other’s last name and without any contact information. If you’re looking for a sweet, tender romance, you’ve found it. You’ll enjoy this story of two young people looking for love. The acting is adequate, and the only negative with the film is an illogical coincidence that flaws the story. However, this transitional silent experiments with simple sound, simple color, and imaginative cinematography. I consider this experimental silent/talkie gem must-see viewing. IMDB: Lonesome

A Woman of Paris: A Drama of Fate (1923) Edna PurvianceClarence GeldartCarl Miller, Adolphe Menjou

Marie lives a wretched life with her callous father, but plans to run away to Paris with her boyfriend. When he doesn’t show up at the railway station for their trip to Paris, she leaves on her own. In Paris she becomes the kept woman of the richest bachelor in town. Years later when she coincidentally meets her old boyfriend, she has to choose between marriage to a poor artist and a continued life of luxury to her now-married lover. Although written and directed by Charlie Chaplin, Chaplin does not appear in this film (except for a brief cameo as a railway porter). Chaplin displays his mastery of film making with this  drama. Romance, violence, cruelty, beauty, and illicit love all play important parts in Chaplin’s first-rate film. Not the typical Chaplin movie, but it’s must see viewing. IMDB: A Woman of Paris

Marriage Circle (1924) Florence VidorMonte BlueMarie Prevost, Adolphe Menjou 

Shrewish wife Mizzi, mired in a terrible marriage, admires the perfect marriage of her best friend, Charlotte. So much so, in fact, that she shamelessly pursues her husband, Franz. Meanwhile Mizzi’s husband hires a detective to prove she has a lover so he can divorce her, and Franz’s colleague pursues his wife, Charlotte. Lot’s going on here. Mediocre acting from some of the players, but the story holds up and provides enough interest to make this a movie worth watching. IMDB: Marriage Circle

Bachelor Apartment (1931) Lowell ShermanIrene DunneMae Murray, Kitty Kelly

This film chronicles the goings-on in a rich bachelor’s apartment. Wayne Carter has so many women that when he falls in love with a good girl, he has trouble getting rid of all the others. Precode features include references to marijuana and cocaine, the standard women in underwear, and premarital and adulterous sex. A highlight occurs when a young girl looking for a sugar daddy mistakes the butler for the rich bachelor. Just average entertainment here. Interesting enough to watch, but nothing exceptional. IMDB: Bachelor Apartment

A Parisian Romance (1932) Lew CodyMarion ShillingGilbert Roland, Joyce Compton

The most immoral philanderer in Paris pursues the young fiancee of a friend. The two embark on a cat and mouse flirtation until he finally wins her over. There is conflict and confrontation involving the friend, and the true feelings of his fiancee remain ambiguous. This film packs an emotional wallop on several levels—romance, generosity, kindliness, melancholy. I didn’t expect much from this film, but it intrigued me from the start. Well-acted, great story, extremely well-done. You will enjoy this film. Highly recommended. IMDB: A Parisian Romance

Sorority House (1939) Anne ShirleyJames EllisonBarbara Read, Chill Wills

Alice, the daughter of a grocery store owner, goes to college on a shoestring budget and moves into a boarding house. Many of the girls at college are dying to get into a sorority, and Alice gets caught up in the frenzy. An influential boy on campus falls for Alice and spreads rumors among the sororities about her ‘rich’ father. The best sororities on campus rush Alice, prompting her to re-examine her values. I expected ‘fluff’ when I began watching this film but quickly got caught up in the engaging story. Anne Shirley perfectly portrays the naive, young girl fumbling her way through the college experience. The romance, the moral dilemmas, and sweet narrative make this a film worth watching. In fact, if you’re looking for a satisfying ‘old movie’ experience, you will love this film. IMDB: Sorority House




Command Performance (1931) Neil HamiltonUna MerkelHelen Ware, Thelma Todd, Mischa Auer

The royalty of two countries consummate a treaty by arranging the marriage of a daughter to a son. Neither of them want to marry. The daughter, in fact, is in love with another. This film is an early talkie when filmmakers were still feeling their way along on how to make good movies. They didn’t quite hit the mark with this one. The plot is hokey, and the acting is subpar. Una Merkel stars in this film. I like Una and have seen her perform well in many films, usually as a supporting actress. Unfortunately, she falls flat in this film. The dial on the entertainment meter barely budges for this movie. You can skip it without missing much. IMDB: Command Performance

Caught (Wild Calendar) (1949) James MasonBarbara Bel GeddesRobert Ryan

A beautiful, young girl attends charm school and earns a job as a department store model. She’s encouraged to find a rich man and marry for money. She does. The results are disastrous. This is the type of movie I enjoy finding because it’s a great view. Good acting, interesting plot, high drama, romance, perplexing conflict. You’ll stay interested throughout. The ending of the movie is controversial, though. I’m ambivalent, and still sorting out my feelings about whether the ending damages the overall quality of the film. I highly recommend this film. IMDB: Caught

Transatlantic Merry-Go-Round (1934) Gene RaymondNancy CarrollJack Benny, Mitzi Green, Sid Silvers, Ralph Morgan, Shirley Grey 

On a transatlantic cruise, various characters board ship, and as soon as all are on board, gun shots are heard behind closed doors. The film then flashes back to events leading up to the murder. A con man falls in love with the leading actress in the shipboard show, and both have shady pasts. There are other prime suspects in a jewelry theft and a murder, but all are gathered at the end of the film for the grand reveal. The plot of this film supports singing and dancing acts and comedy skits. The singing and dancing are artistic and entertaining, but the comedy is lame. Acting is good, and the film is well done. Overall, this film entertains and is worth watching. IMDB: Transatlantic Merry-Go-Round

Man’s Castle (1933) Spencer TracyLoretta YoungMarjorie Rambeau, Glenda Farrell, Dickie Moore

Homeless and desperate, Trina meets an irascible flam-flam man on a park bench. He takes  her under his wing, protects her, and provides for her. She falls desperately in love with him, but his ever-present wanderlust keeps the relationship tenuous. This PreCode film deals with issues and presents scenes that would not be able to be produced in the next year because of the Hays Code censorship. Loretta Young is so fragile in this film, and she plays her role to perfection. Even at a young age, she displayed her star quality. Spencer Tracy plays the grouchy, insulting lover and is solid in his performance, but Young is luminary. This gritty film is an interesting, engaging romantic melodrama. It’s a classic and is must see viewing. IMDB: Man’s Castle

Only Yesterday (1933) Margaret SullavanJohn BolesEdna May Oliver, Billie Burke, Reginald Denny, George Meeker

A teenager has a one-night stand with a dashing soldier. He goes off to war, and she discovers she’s pregnant. She has the child and yearns for her lover’s return. When the war is over, she waits on the train platform to welcome him home. Upon his return he’s surrounded by other young girls kissing him and fawning over him. When she finally gets a chance to speak to him, he doesn’t even recognize her. This film is a heartbreaker. Margaret Sullavan is outstanding in her debut film role as the jilted lover. In fact, acting all around is  first rate. The story is engaging and emotional. A key plot twist had me questioning the actions of the character, but it turns out the character’s judgment was a brilliant ploy. Keep the tissue handy, and don’t miss this Pre-Code gem. It’s must see viewing. IMDB: Only Yesterday

The Informer (1929) Lya De PuttiLars HansonWarwick Ward, Daisy Campbell

An IRA group is meeting in an apartment when a group of gunmen across the street opens up on them. The IRA group moves to the top of the  stairs, and Francis shoots the first man to come through the door. It’s the chief of police. Francis needs to hide out in the hills, and the others protect his identity as the killer. But Gypo gets jealous when his girlfriend, Francis’s ex, is hiding him from the police. Gypo goes to the police, informs on Francis, and collects the reward. Gypo now becomes the target of the IRA members. This is an unusual British transition film in that it starts out as a silent film and, then, half way through turns into a crude talkie. Acting is what you would expect from silent film actors trying to perform in a talking film. It’s not pretty at times. (Some of the actors’ voices are actually dubbed in this film because they don’t sound British.) The story itself is suspenseful and moderately interesting. This is a film you can skip unless you’re curious about transition films in Britain. IMDB: The Informer




Teresa (1951) Pier AngeliJohn EricsonPatricia Collinge, Peggy Ann Garner, Ralph Meeker, Bill Mauldin, Rod Steiger

During his time in WWII Philip acts not as a soldier but as a coward. He does, however, meet, fall in love with, and marry an Italian teen. After the war, when the newlyweds settle into his parents’ apartment, Philip again has to deal with his issues as a failure. This film is one of those ‘hidden gems’ that no one has heard of but everyone must see. It’s three films in one: a psychological drama, a war story, and a romance. Acting is solid all around. Pier Angeli is so young in this film that she has some weak acting moments, but overall she gives a sweet, tender performance. There’s a lot of tension and conflict in this film as well as soft, romantic scenes. This is a solid film I would rate as must see viewing. IMDB: Teresa

Anything Goes (1936) Bing CrosbyEthel MermanCharles Ruggles, Ida Lupino, Arthur Treacher, Margaret Dumont

Billy Crocker falls in love with a beautiful blonde and follows her onto a cruise ship where he develops conflicted relationships with show girls and crooks. A silly plot covers for the production numbers and Cole Porter songs, which are the highlights of this film. Ethel Merman does most of the singing, and, although she has a powerful voice, you have to be a fan to appreciate her renditions of Porter’s songs. Entertainment value is modest in this film, and I’d recommend viewing only if you’re a fan of one of the actors or if you want to see Crosby and Merman’s renditions of Porter songs from the 30s. IMDB: Anything Goes

Diary of a Mad Housewife (1970) Richard BenjaminFrank LangellaCarrie Snodgress, Alice Cooper

Imagine the worst husband on the face of the Earth—rude, demeaning, selfish, cruel and totally clueless to any need his wife might have. Pretty, sweet, unassuming Tina is married to this monster—plus, she’s a mother to two bratty little girls. She floats zombie-like through her existence desperately hoping for some normalcy and affection in her life. This film is an interesting psychological drama with excellent acting. Some of the scenes are cringe-worthy because of the cruelty and harshness of both her husband and her lover. The conclusion of the film, however, does not disappoint. After an hour and a half of brutality, there’s a soft landing with a feeling of ‘Yeah, this was actually a good film.’ IMDB: Diary of a Mad Housewife

Heart Like a Wheel (1983) Bonnie BedeliaBeau BridgesBruce Barlow, Anthony Edwards, Hoyt Axton

As a little girl Shirley Muldowney sat on her daddy’s lap as he drove at high speeds the country roads in his coupe. As a teen, when her boyfriend couldn’t beat the local champ at street racing, she took the wheel and beat him easily. Racing became her passion. Her husband build her first race car, but she faced incredible odds and discrimination when she tried to compete in a men’s only sport. This biopic follows the career and personal life of the first woman professional drag racer. Good acting, good story, good film.  Entertaining and well worth watching. IMDB: Heart Like a Wheel

They All Kissed the Bride (1942) Joan CrawfordMelvyn DouglasRoland Young, Billie Burke, Allen Jenkins

Maggie runs a transportation company with an iron fist and with nothing but business on her mind. Mike writes an unflattering book about how her business takes advantage of its employees. Make sees Maggie as a machine and not a woman until Maggie inexplicably falls in love with him. Complications and plot twists commence. This fluffy comedy is awkward and of average entertainment value. It has a few funny moments but dwells on conflict, power struggles, and arguing. Watchable but there are better choices elsewhere. IMDB: They All Kissed the Bride

Hollywood on Parade (1932-1934) Fredric MarchBen Turpin, Richard ArlenTallulah BankheadLew Cody, Warren William, Joe E. BrownMaurice Chevalier,. Buster KeatonWarner BaxterJoan Bennett, Sally Blane, Jackie CooperBing CrosbyCarole Lombard, Buster CrabbeW.C. FieldsChico Marx, Stuart ErwinBing CrosbyGracie Allen, Tom Mix, Mary Pickford, Jean Harlow  

Similar to newsreels shown in theaters in the 30s prior to the feature, these shorts present vignettes, novelty acts, singing, dancing, and interviews with Hollywood’s top stars. The entertainment value of these shorts is moderate, but there are some gems and there is historical interest in seeing stars early in their careers and others who were silent film stars and are now featured in speaking roles. Worth watching. IMDB: Hollywood on Parade

Friday the Thirteenth (1933) Jessie MatthewsSonnie HaleMuriel Aked

A London bus filled with passengers on a rainy night crashes, killing two and injuring many others. After the opening crash, the film flashes back to review the lives of the passengers. The end of the film reveals the passengers who died in the crash. Many plots running simultaneously throughout this film makes it difficult to keep everyone straight, and the fast-talking characters with their British accents makes dialogue difficult to understand at times. Some of the stories are interesting, and the PreCode relationships and chorus girls add interest, (Jessie Matthews is outstanding) but overall, the entertainment value of this film is moderate. IMDB: Friday the Thirteenth

Jungle Bride (1933) Anita PageCharles StarrettKenneth Thomson

A luxury liner crashes spectacularly into a reef, and four survivors end up on a remote island off the coast of Africa—a beauty, her fiancee, a man accused of murder, and a jokester. The beauty finds the man accused of murder more attractive and more manly than her fiancee. Highlights include some PreCode allure, hand-to-claw combat with a lion, and Anita Page. However, dialogue is stiff, acting amateurish, and the plot weak. Moviemakers made an effort here to create a adventure/romance, but fell short. I wasted my time watching this primitive talkie to save you from losing an hour of your life. IMDB: Jungle Bride

By Appointment Only (1933) Lew CodyAileen PringleSally O’Neil, Marceline Day

A doctor’s receptionist leaves a sick woman waiting until the end of the day to see a busy doctor. When she dies in the reception room, the doctor has to deal with her 14-year-old daughter, who was waiting downstairs. He tells her that her widowed mother was sent to the hospital, and he will take her home and take care of her. He falls in love with her. This film portrays a relationship that would not be filmed today. It’s a little creepy, and the film does not develop the plot and the relationship. There’s nothing worthy enough about this film to warrant devoting time to watching it. IMDB: By Appointment Only




Nancy Drew: Trouble Shooter (1939) Bonita GranvilleFrankie ThomasJohn Litel, Willie Best

The sheriff locks up a local land owner for suspicion of murdering his neighbor, with whom he’s had a long-running feud. Carson Drew is his  lawyer, but Mr. Drew’s daughter, Nancy, is the one to track down all the clues in this murder mystery. With a lot of suspense and some action scenes, this is a fun film to watch. Negatives are the preponderance of coincidences, stereotypical racial behavior, and some weak attempts at humor. Other than that, it’s a typical Nancy Drew series offering that’s entertaining enough to watch. IMDB: Nancy Drew: Trouble Shooter

Nancy Drew and the Hidden Staircase (1939) Bonita GranvilleFrankie ThomasJohn Litel

Two elderly sisters plan to donate their house to a children’s charity, but a will indicates they cannot sell the house without living in the house every night. They have two weeks to go until the conditions of the will expire. Someone commits theft and murder to scare the ladies out of the house before the terms of the will are up. Nancy outshines the police with her detective work. This film is fast-paced and fun. It’s a good murder mystery on its own, but it’s enhanced with Granville’s acting, the story itself, good directing, and loads of humor and suspense. I highly recommend this movie. You’ll enjoy it! IMDB: Nancy Drew and the Hidden Staircase

Merton of the Movies (1947) Red SkeltonVirginia O’BrienGloria Grahame

Merton is the quintessential Born Loser who wants nothing more than to be a movie actor. He worms his way into some scenes, but always klutzes up his dramatic moments, and onlookers just laugh at him. The beautiful girl who falls in love with him tries to convince him that his success will come as a comedian. This film is a pleasant comedy with plenty of physical antics. Skelton is an accomplished comedian, and this format his a his forte. Well done and entertaining. IMDB: Merton of the Movies

Alibi Ike (1935) Joe E. BrownOlivia de HavillandRuth Donnelly, William Frawley, Paul Harvey

The Cubs need a pitcher, and Ike comes up from the minors. He’s sensational, but the other players continually prank him and Ike continually makes alibis. Ike falls in love, the mob puts pressure on him to throw games, and the manager needs to make the playoffs to keep his job. This film is a good comedy with Brown’s ‘aw shucks’ humor and alibis at the center of the story. The alibis get a bit tiresome, but the story is good, the acting is acceptable, and there are enough laughs to make it good entertainment. IMDB: Alibi Ike

The Tenderfoot (1932) Joe E. BrownGinger RogersLew Cody

A crooked theatrical producer fleeces wealthy Texas rancher, Calvin Jones, shortly after he arrives in New York. The producer’s beautiful secretary helps Calvin understand his situation, tells him he’s stupid, and scolds him for having no backbone. He’s fallen in love with her, so he does whatever is needed to remedy his situation and win the girl. In this film the acting is good, the story line is adequate, and there are enough laughs to make it a good comedy. Ginger Rogers starring in the film bolsters its watchability. This is a solid Joe E. Brown film you will enjoy. IMDB: The Tenderfoot

Riding on Air (1937) Joe E. BrownGuy KibbeeFlorence Rice

Local newsman, Elmer Lane, wins $5000 in an essay contest and is set upon by swindlers. This Joe E. Brown comedy features aerial stunts and photography as well as Brown’s goofiness. It costars the beautiful Florence Rice, has a few laughs, and is mildly entertaining. IMDB: Riding on Air

When’s Your Birthday? (1937) Joe E. BrownMarian MarshFred Keating, Edgar Kennedy

Dustin Willoughby makes all of life’s decisions based on astrology. He even puts off his wedding date because the stars are not properly aligned. Gamblers and other opportunists take advantage of him. He improbably ends up in a world championship boxing match. This film is a rambling farce with some humorous scenes and a lot of slapstick ala Joe E. Brown. There’s a romance, of course, and the highlight of the film is the fight scene at the end of the film—actually pretty good. Although this film is watchable, other Joe E. Brown films are much better. IMDB: When’s Your Birthday?

The Gladiator (1938) Joe E. BrownJune TravisMan Mountain Dean, Dickie Moore

Hugo Kipp’s father and grandfather were athletic standouts at college, but Hugo can’t even afford to go to college. When he unexpectedly wins a raffle at a theater, he enrolls in college and tries out for the football team. He’s so bad that he becomes the laughing stock of the campus, and his teammates take pleasure in making a fool of him. The scientist with whom Hugo is living has been experimenting with a formula that gives one super-human strength. When he secretly injects Hugo with the formula, he becomes so strong he has to be careful not to hurt anyone. This film is an excellent comedy with lots of laughs, plenty of physical comedy, a romance, and a  tender relationship with a crippled orphan. Brown does most of his own stunts, and gets a real workout throughout this film. Solid acting all around, an action-filled story, and romance and pathos make this one of Joe E. Brown’s better films. I highly recommend it. IMDB: The Gladiator

Wide Open Faces (1938) Joe E. BrownJane WymanAlison Skipworth, Sidney Toler, Stanley Fields

Soda jerk, Wilbur Meeks, nearly drives a get-a-way car for the notorious back robber, Duke Temple, before the police capture Duke. Criminals from all over then converge on the town to find the money Duke apparently hid. Wilbur is in the middle of all the action while trying to win over a potential girlfriend. This film is standard Joe E. Brown fare with lots of complications, some laughs, and a suspenseful, action-packed climax. This film is a ‘B’ comedy and moderately entertaining. IMDB: Wide Open Faces

Flirting with Fate (1938) Joe E. BrownLeo CarrilloBeverly Roberts, Stanley Fields

Dan Dixon manages a troupe of entertainers as they travel through South America. He can’t do anything right and let’s the troupe down miserably. He feels the only way to truly serve the troupe is to commit suicide so they can cash in his insurance policy and return to New York. The plot of this film revolves around his attempts to kill himself. Nothing exceptional here. Some laughs and lots of silly action make this merely watchable entertainment. IMDB: Flirting with Fate

Earthworm Tractors (1936)  Joe E. BrownJune TravisGuy Kibbee, Carol Hughes, Gene Lockhart

Alexander Botts considers himself a super salesman, but he’s only selling quirky gadgets. His girlfriend, Sally, won’t pursue their relationship until he sells something more substantial and important. He lands a position selling Earthworm Tractors and creates havoc wherever he goes. The plot focuses on Alexander trying to make an impossible sale to the local lumber merchant and, at the same time, win over his daughter. This film is one of Joe E. Brown’s best with plenty of laughs, good acting all around, plenty of action, and plenty of suspense. Joe E. Brown can be hokey but he’s at his best here. You’ll enjoy this movie. IMDB: Earthworm Tractors

Daughter of the Dragon (1931) Anna May WongWarner OlandSessue Hayakawa

Fu Manchu seeks revenge in London on those who killed his family in Hong Kong. He kills all but one before he is killed in his final attempt. Dying in his daughter’s arms, he secures her solemn oath to carry out his revenge by killing his final target. Trouble is, she falls in love with the object of her mission. This film achieves modest interest with subpar acting and a slow start. Interest increases as the film progresses and ends with a powerful denouement. You should view this film if you are an Anna May Wong completist, as I am, but, overall, the entertainment value is only moderate. IMDB: Daughter of the Dragon

The Devil is Driving (1937) Richard DixJoan PerryNana Bryant, Ann Rutherford, Paul Harvey

Paul Driscoll is running for district attorney when he’s asked by a prominent citizen and friend to defend his son in a drunken driving case in which he killed a woman and crippled her daughter. Friends and colleagues of the influential citizen, including Mr. Driscoll who defends him in court, lie in court in order to free the  young man. When Mr. Driscoll becomes district attorney he atones for his perjury by strictly enforcing driving regulations and, in particular, drunk driving. When he prosecutes the same young man for a second drunk driving murder, he faces perjured testimony from everyone on the witness stand. This film takes a moral stand against reckless driving and drunk driving. The plot is strong and the acting more than competent. Although melodramatic at times, this film is riveting and well worth watching. IMDB: The Devil is Driving

Their Own Desire (1929)  Norma ShearerBelle BennettLewis Stone, Robert Montgomery

Lally loves her dad, and he’s the end-all and be-all of her life—until he decides to divorce her mother for the woman Lally always suspected had her eye on her dad. Lally and her mother take a trip to the lakeshore, where Lally falls in love with (unbeknownst to her) the son of her father’s mistress. Norma Shearer’s acting is just goofy throughout this film. Even though there are some bright acting moments, there’s a lot of hokey acting—awkward. An improbable plot doesn’t help this turkey.  (I shouldn’t be too hard on this film because it’s a transition film from silents to talkies. The actors and filmmakers are trying, and the film is a good study in the difficult transition from silent to talking films.) It’s watchable, but painful. IMDB: Their Own Desire

Hollywood or Bust (1956) Dean MartinJerry LewisPat Crowley, Maxie Rosenbloom, Anita Ekberg

Steve creates counterfeit tickets for a theater raffle to win a car, but Malcolm has the legitimate winning ticket. They both win but have to share the car. Steve needs to flee his bookie, and Malcolm is starstruck about Anita Ekberg. Steve lies about his connections with Anita, so they start off together on a cross-country trip to Hollywood. Most of this film covers their cross-country trip in their shared car. There’s a lot of silliness, beautiful girls, romance, and laughs. This fluffy comedy works well for Dean and Jerry. It’s there last film together. No thinking involved. Enjoy. IMDB: Hollywood or Bust

The King of Comedy (1982) Robert De NiroJerry LewisDiahnne Abbott, Sandra Bernhard

Rupert Pupkin and his crazy girlfriend, Masha, are obsessed with talk show host Jerry Langford. Rupert’s an aspiring comedian and takes extreme measures to get a guest spot on Jerry’s show. This is an unusual film with Robert De Niro playing a humorous version of his Taxi Driver character, Travis Bickle. He’s obsessive, obnoxious, and laser-focused on his objective. Acting is first rate (Sandra Bernhard gives a standout performance), the story is engaging, and the entertainment value is high in this movie. And, it’s directed by Martin Scorsese. This is a film you should see. You’ll enjoy it. IMDB: The King of Comedy

Kiss Tomorrow Goodbye (1950) James CagneyBarbara PaytonHelena Carter, Ward Bond, Luther Adler, John Litel, William Frawley

Ralph Cotter escapes from prison but immediately returns to a life of crime. He bullies, intimidates, and strong arms his way to success as a criminal. He even blackmails the local police inspector. This film is an outstanding crime drama with plenty of action and with James Cagney at his shrewdest, and most brutal. Great story, great acting, great suspense and tension. The only negative is that beautiful women fall hopelessly in love with Ralph. It doesn’t ring true. Other than that, this is an excellent film you will enjoy. IMDB: Kiss Tomorrow Goodbye

Man Hunt (1941) Walter PidgeonJoan BennettGeorge Sanders, John Carradine, Roddy McDowall

Wealthy English adventurer, Alan Thorndike, stalks the Führer from a hillside and takes aim to assassinate him when he’s captured by a patrol of Germans. He escapes, and returns to London, where German spies relentlessly pursue him. A beautiful, young girl, at her own peril, aids him in his efforts to avoid detection. This is a propaganda film that should have more action and more tension.  It lazes along without any edge-of-your-seat suspense. Even though some of the best scenes are driven by the lovelorn, Jerry, it’s annoying that Thorndike remains oblivious. Joan Bennett does the best job of acting in this film, but she can’t turn this into a believable thriller. I had to shake my head during the final scene—it’s way beyond lame. Other than the sweet portrayal of Jerry by Joan Bennett, this film is weak. IMDB: Man Hunt

Pickup (1951) Hugo HaasBeverly MichaelsAllan Nixon

Local tramp, the beautiful and sexy Betty, looks for a pickup in the diner. She sits next to an old widower, the local railroad station master, with a lot of money in his pocket. Evicted from her apartment, she needs an escape and marries him. After marriage she carries on with the young and handsome railroad worker who sleeps in the shed behind the railroad station where they live. When the widower has a medical problem and goes deaf, they carry on in front of him and plot to kill him, take his money, and run away together. The didn’t realize his hearing had come back, but he didn’t tell anyone. This sub-‘B” film is watchable but bad. Acting is amateurish, and Betty is so bitchy, rude, and nasty it’s uncomfortable watching her. Don’t waste your time with this one. IMDB: Pickup



The Power and the Glory (1933) Spencer TracyColleen MooreRalph Morgan

He’s the man everyone loves to hate—except one guy. Starting out as an illiterate track walker for the railroad, Tom Garner rises to railroad magnate status initiated by his wife’s ambition. In the process, he becomes a different man—a hated, misguided power-lover. This soap opera is a fascinating character study. Spencer Tracy morphs from likable to hated throughout the film, and genuinely portrays both sides of his character. It is gratifying, too, to see silent film star Colleen Moore faithfully portray her role as Garner’s wife. This is a good story with good acting from established and emerging stars. I highly recommend this film. IMBD: The Power and the Glory

The Reckless Moment (1949) James MasonJoan BennettGeraldine Brooks

Lucia Harper fights with her teenage daughter over the unsavory older man she’s dating. Conflicts abound, and multiple murders ensue. This film is engaging and suspenseful with good acting by Joan Bennett and a featured performance by James Mason in a starring role. It’s no award-winner, but it’s well worth watching. IMBD: The Reckless Moment

The Wayward Bus (1957) Joan CollinsJayne MansfieldDan Dailey, Betty Lou Keim

Bus driver, Johnny Chicoy, takes a load of passengers in his dilapidated bus to San Juan. Drama, romance, and intrigue ensue among the passengers who each have a compelling story to portray. There’s great cinematography and a moody sound track backing this drama. There’s a lot of heat—a lot of passion in this movie with Joan Collins and Rick Jason heading an accomplished cast—each carrying out well-developed portrayals of their characters. Jane Mansfield does what she does best—provides the eye candy in what turns out to be a competent acting job on her part. Although this film is based on the classic novel by John Steinbeck, I would strongly urge you to read the book after viewing the film to get the full impact of this often-overlooked character study. If you enjoy films based on literature or if you love a gritty drama, I would highly recommend viewing this film. IMBD: The Wayward Bus

The Girl from Chicago (1932)  Grace SmithCarl MahonEunice Brooks

A government agent tries to save a young girl from a local crime boss and immediately falls in love with her. This film is an early talkie with a predominantly black cast. Its an example of the films produced in the 30s specifically for black audiences. Slim plot with painfully amateurish acting. Showcases some singing and dancing acts. The only reason to watch this film is for historical curiosity. IMBD: The Girl from Chicago

Up Pops the Devil (1931) Richard ‘Skeets’ GallagherStuart ErwinCarole Lombard, Joyce Compton, Willie Best 

Anne loves Biney but refuses to marry him out of fear of stifling his career. He suggests they try marriage out for a year to see if it works. They do marry but, of  course, complications and misunderstandings abound. This is a romantic comedy bordering on farce. I usually enjoy any movie starring Carole Lombard, and she does well in her part, as usual., but the story itself is weak and predictable and doesn’t truly become interesting until well into the film. The entertainment value of this film is only average. IMBD: Up Pops the Devil

My Cousin Rachel (1952) Olivia de HavillandRichard BurtonAudrey Dalton

Ambrose raises his cousin, Philip, until he becomes a man. He then leaves for Italy, falls in love with an Italian woman and marries her. When he mysteriously dies, Philip travels to Italy to determine the circumstances of his death. He falls hopelessly in love with Ambrose’s widow. This film is a first-rate drama/mystery with top talent and excellent acting—the first movie role for Burton who deftly displays his skill as an actor. Dialogue drags at times, but this drama is well worth watching. IMBD: My Cousin Rachel

The Heart Punch (1932) Lloyd HughesMarion ShillingGeorge J. Lewis

Jimmy’s a prizefighter fighting his good friend, Lefty Doyle. He wins the fight with a heart punch that kills Lefty. Although it was an accident, he feels obligated to travel to explain to Lefty’s sister what happened. He falls in love with her, but when she finds out what happened, she hates him. When she’s accused of  killing her lecherous boss, Jimmy goes to extremes to help her out. This is a well-done film with plenty of action, romance, and suspense. The fight scenes are realistic, the story keeps one’s interest, and the acting is first rate. This movie is one that any film fan will enjoy. IMBD: The Heart Punch

Without Honors (1932) Harry CareyMae BuschGibson Gowland 

Cowboy hero, Pete Marlan, is superhuman in his endeavors—rescuing a kidnapped girl, punishing her abuser, catching a gambler cheating, uncovering a smuggling operation, and so on. This is a true ‘B’ picture with all aspects of the film on an amateur level. Watch this only if you have to see every Harry Carey or Mae Busch film. IMBD: Without Honors

Cher Live in Concert from Las Vegas (1999) Cher

This filmed HBO special from the MGM Grand in 1999 features Cher singing her greatest hits. Cher is at her best here with amazing energy, beauty, eye-popping costumes, acrobatic performers galore, video montages, and a talented band with backup singers. Many under-appreciate Cher’s talent, but she demonstrates in this concert through powerful hit songs and a montage of her film and TV career that she’s been a major star over many decades. The concert ends on a crescendo with a performance of ‘Believe’ that will send chills up your spine (in a good way). Cher delivers a feel-good experience you won’t soon forget. It’s must see viewing! IMBD: Cher: Live in Concert from Las Vegas

The Rocky Horror Picture Show (1975) Tim CurrySusan SarandonBarry Bostwick, Meat Loaf

Brad’s car breaks down on a dark, stormy night in a lonely, wooded area. He and his fiancee, Janet, walk to a nearby castle to phone for help. There they enter the bizarre world of the transvestite, Dr. Frank-N-Furter, who creates life in the form of a perfect young man, intended for his pleasure. Thereafter, nothing goes according to plan. I recently attended a live performance of The Rocky Horror Show and was so impressed I had to see the film based on the musical. The stage show was high-energy camp with amazing choreography! The horror musical comedy film mirrors the stage musical but lacks its explosive, imaginative choreography and the audience participation. It makes a difference. The Rocky Horror Picture Show drags at times, but overall maintains its energy with a powerful rock score. I recommend seeing the film because it is a unique viewing experience, but if you can find a professional stage presentation of the musical, that’s a must-see experience. IMBD: The Rocky Horror Picture Show

Age of Consent (1932) Dorothy WilsonArline JudgeRichard Cromwell 

College student Michael’s frustrated because he’s overwhelmed with all the free love going on among the other students when all he wants is a wholesome relationship with a nice girl.  Betty’s the nice girl who falls in love with him but won’t let loose like the other girls. Michael wants to quit school and marry her right away, but she wants to wait until he graduates. His subsequent drunken fling with an underage girl blows up the relationship. This ‘B’ movie about free love in college turns out to be a morality play about the need for wholesome relationships before marriage. The film is rather ham-handed and obvious with its message, but the story is well-done, the acting is acceptable, and it’s entertaining enough to be watchable. IMBD: Age of Consent

The Crooked Circle (1932)  Zasu PittsJames GleasonBen Lyon

The Crooked Circle is a secret society involved in all types of  criminality. At the beginning of the film the members draw lots to see who will carry out the murder of their next target. The only woman in the society draws the indicative lot and timidly attempts to fulfill her assignment. All the action takes place in an old, dark house with hidden passages, moving walls, mysterious music, skeletons, a dusty attic, and a grave yard. Zasu Pitts provides the humor (?). This is a murder mystery farce, which, seen from today’s perspective, is clichéd and predictable. The plot is geared toward scary surprises and corny humor,  but the film is interesting enough to watch—once. IMBD: The Crooked Circle

Union Depot (1932) Douglas Fairbanks Jr.Joan BlondellGuy Kibbee, Alan Hale

A broke chorus girl sits in Union Depot despondent about not being able to get to Salt Lake City to join a show. A hobo with stolen clothes and stolen money appears to be her knight in shining armor. Conflicts galore commence. This film is very well done, and Joan Blondell and Douglas Fairbanks Jr. are magnetic. The PreCode plot deals with some sexuality and violence. The story is strong, and the acting is solid all around. This film is a solid ’30s romantic drama you will enjoy. Highly recommended. IMBD: Union Depot

Nancy Drew: Detective (1938) Bonita GranvilleJohn LitelJames Stephenson, Frankie Thomas, Mae Busch

A wealthy dowager donates $250,000 to Nancy’s school and then mysteriously disappears the next day. Against all odds, Nancy is determined to find out what happened. This is an interesting film, and Bonita Granville is the perfect actress for this role. Nancy Drew also serves as a good model for young, strong, independent girls—she even changes her own flat tire. Well-acted, good story. You’ll enjoy this film. IMBD: Nancy Drew: Detective

Nancy Drew: Reporter (1939) Bonita GranvilleJohn LitelFrankie Thomas

Nancy competes with other students to win a contest to write the best news story for the local paper. They’re handed lame assignments, so Nancy steals an assignment from a real reporter’s desk—to cover a murder trial. She gets involved with the suspects and puts herself in grave danger. This film is a fast-paced crime drama/mystery with talented actors, a great story, humor, suspense, and entertainment from start to finish. Yeah, it’s Nancy Drew, but this is a well-made film you’ll find yourself watching intently. I consider it must see viewing. IMBD: Nancy Drew: Reporter




Father is a Bachelor (1950) William HoldenColeen GrayMary Jane Saunders, Charles Winninger, Stuart Erwin, Billy Gray

After the medicine show is broken up by the sheriff, Johnny runs off and comes upon a cabin by the river, where five young children live by themselves. (Turns out their parents died in a river accident, and they exist hidden from society.) They slowly suck ‘Uncle’ Johnny into taking care of them. He tangles with the richest man in town, falls in love with the judge’s daughter, but agrees to marry a rich spinster so he can better take carer of the kids. The first scene of this film finds Holden in black face singing as part of a medicine show. (It does get better from there.) In fact, Holden does a lot of singing in this film—at least his lips move to someone singing pretty well. He does well in the role, and the acting all around is well done. The story is engaging, the kids are cute, there are some truly funny scenes, and there’s heartwarming sentiment throughout.  Not a great movie but a light diversion. The movie gets more interesting as it moves toward the ending credits, and it’s entertaining enough to watch. IMBD: Father is a Bachelor

Sinners in the Sun (1932) Carole LombardChester MorrisAdrienne Ames, Cary Grant

Doris and Jimmie love each other, but Doris won’t marry Jimmie because she doesn’t want to live in poverty—he doesn’t make enough for them to live comfortably. Jimmie then breaks up with her. She starts dating a rich man, but her father kicks her out of the house for coming home early in the morning after dates with a married man. She then becomes the man’s mistress and lives a life of luxury. Jimmie becomes a chauffeur to a rich lady who falls in love with him—they marry. Is all the wealth worth the loss of love? This is actually a very good movie. Carole Lombard is stunning, and she proves her worth as a great actress. The film is a perfect example of a PreCode movie with lots of beautiful girls in their underwear and the focus on unmarried relationships. This is a very engaging film I would consider must see viewing. IMDB: Sinners in the Sun

Such Men are Dangerous (1930) Warner BaxterCatherine Dale OwenHedda Hopper, Bela Lugosi

A beautiful, young girl marries an ugly but rich and powerful man. However, he has no soul and not as much affection for his bride as he has for his checkbook and his power. She goes through with the wedding, but realizing the mistake she has made in marrying a man who cannot show her affection, bolts on her wedding night to her home. Humiliated, her husband vows revenge. This film is a primitive, early talkie with equally primitive acting. What makes the movie interesting is the story itself. It portrays a unique approach to revenge and keeps the viewer guessing. Catherine Dale Owen, although not demonstrating her skills as an actress in this movie, carries her role with her beauty. This is an interesting and entertaining film worth the time spent viewing. IMDB: Such Men are Dangerous

Africa Speaks (1930)  Harald AustinPaul L. HoeflerLowell Thomas

This documentary, filmed in Africa, traces the expedition of two explorers through the African bush. Billed as the ‘Strangest Adventure Ever Filmed,’ I found it fascinating to view all of the major African animals in their natural habitat and several African tribes going about their daily business. There are also several hunting scenes, both by the animals and the native tribesmen. Animals kill humans, and humans kill animals. For the time period, even with some corny dialogue, this is a well done documentary. If you have an interest in the animals and the tribal culture of Africa, I would highly recommend this film. IMDB: Africa Speaks

The Sins of the Children (1930) Louis MannRobert MontgomeryElliott Nugent, Francis X. Bushman Jr., Mary Doran

Papa has big problems with all of his grown children—and finances. Heart of gold papa struggles through each of his children’s difficulties, and tries his best to support them in their struggles—until their struggles become his own. This drama has some comedic moments, particularly with kiddie shenanigans, but it’s mostly a drama of struggles. It’s interesting to see Robert Montgomery in an early role and the accomplished stage actor, Louis Mann, starring in a film, but the entertainment value of this film is low. Worth watching, but contemporary viewers may struggle with it. IMDB: The Sins of the Children

The Birds (1963) Rod TaylorTippi HedrenJessica Tandy, Suzanne Pleshette, Richard Deacon

A young lady in a pet shop flirts with a man inquiring about a pair of love birds. When he doesn’t buy them, she purchases the birds and motorboats across the bay to deliver the birds to him. While she is visiting in his town, the local birds become violent and go on the attack. Mayhem ensues. This is a standard horror film with the Hitchcock touch. It’s interesting, and Hitchcock does as well as he can for the time period in creating vicious birds with mechanical birds and technical tricks. Had he made the film today, technology would have afforded him the ability to create even better birds. Regardless, this is a film you should see because of the entertainment value, because it is a classic, and because it is a Hitchcock film. IMDB: The Birds

Strangers of the Evening (1932)  Zasu PittsEugene PalletteLucien Littlefield, Tully Marshall, Miriam Seegar

A murder takes place, and there’s a mix-up with bodies at the funeral home. Eugene Pallette is the detective out to solve the crime. This is a crime drama with comedic elements (its’ got Zasu Pitts in it, ok?) Bad acting and sketchy plot. As an indication of the quality of this film, Pallette flubs lines and there’s no ‘cut’, no reshoot, and no edit. He just powers through, and the show goes on. The entertainment value of this film is below average and a movie you can skip with no feelings of guilt whatsoever. IMDB: Strangers of the Evening

The Good Companions (1933) Jessie MatthewsEdmund GwennJohn Gielgud, Mary Glynne 

Three people leave their unhappy homes to set out on their own. Coincidentally, they all come together working for a traveling musical troupe. The troupe has its troubles, but a star emerges. This film is a British production featuring heavy English accents with rapid-fire delivery. One has to concentrate to understand the dialogue. There’s lots of arguing and people yelling at each other. Nevertheless, this musical has its moments—not too many, but a few. It’s a long slog through this one to enjoy a few tender moments and some musical highlights. Jessie Matthews is the primary highlight—she truly shines. Entertainment value of this film is only moderate. IMDB: The Good Companions



MAY, 2018 POST

Night Work (1930)  Eddie QuillanSally StarrFrances Upton

Department store window dresser, Willie, mistakenly commits to supporting an orphan. While visiting the orphanage regularly, he falls in love with the little boy’s nurse. This romantic comedy is one of the best of the early talkies. It’s well-written and well-acted. There are typical PreCode scenes and situations, outrageous antics, and hilarious bits. This gem is a tender love story packed with giggles. You’ll enjoy this must see viewing experience from opening credits to THE END. IMDB: Night Work

The Rampant Age (1930) James MurrayMerna KennedyEddie Borden

Nice girl, Doris, stays at home and pines for Sandy, the man she plans to marry, while he attends wild parties and falls prey to bad girl, Estelle. No longer willing to wait, Doris lets loose with the wild crowd in order to make Sandy jealous. She goes a little too far. This film barely breaks the average barrier, but has some entertainment value. I enjoy peeking into the social life and party lifestyle of the 20s, and this film provides that experience. Watchable, amusing, and entertaining enough to keep you in your chair. IMDB: The Rampant Age

Love Me Tonight (1932) Maurice ChevalierJeanette MacDonaldCharles Ruggles, Myrna Loy, Charles Butterworth

A common tailor disrupts the palace by falling in love with the young princess, who has never known love.  (Her previous marriage to an old royal failed when he died.) The princess falls in love with the tailor thinking is also royalty. This film opens with an imaginative sequence which is similar to the opening sequence of Woody Allen’s Manhattan, although less dynamic. There are also other cinematic delights throughout this so-so musical/romantic comedy. The story itself is rather pedestrian, and there are some silly bits. There are also some amateurish musical sequences balanced by classics such as Mimi and Isn’t It Romantic? Overall, the film is a good introduction to the talents of Chevalier and MacDonald and is entertaining. IMDB: Love Me Tonight

Seven Days Leave (1930) Gary CooperBeryl MercerDaisy Belmore

An old London charwoman with no family in her life wants desperately to contribute to the war effort, but no organizations will accept her because of her age. She then lies to her friends that she has a son who serves in the elite Black Watch. When a soldier on leave shows up, who also has no family, she takes him in and treats him like her son. This is a poignant story that delivers an emotional impact. Beryl Mercer gives a touching portrayal of the patriotic, motherly old woman. Cooper’s acting in his first talking picture, although serviceable, is horrible at times and painful to watch. The film, overall, is difficult to warm up to, but if you give it a chance, you’ll find it worth the time spent viewing. IMDB: Seven Days Leave

Sing Sinner Sing (1933) Paul LukasLeila HyamsDon Dillaway, Walter Brennan, Joyce Compton, Ruth Donnelly

A casino owner, Phil, carries on a love affair with, Lela, the headline singer, while also carrying on with a chorus girl. Lela gets fed up and runs away with a drunken millionaire whom she marries. Phil seeks revenge while Lela tries to steady a rocky marriage. This is a surprisingly engaging film with plot twists and suspense. Plenty of beauty, lots of PreCode partying, and an overabundance of violent emotions. This is a dynamic film and well worth watching. IMDB: Sing Sinner Sing

Pandora’s Box (1929) Louise BrooksFritz KortnerFrancis Lederer, Daisy D’Ora

Lulu lives extravagantly as the mistress of wealthy editor, Dr. Ludwig Schön, until he decides to break up in order to marry a wealthy, young socialite. Working as a dancer, Lulu throws a tantrum and refuses to perform when Dr. Schön brings his fiancee to the theater. Caught in an embarrassing embrace with Lulu by his fiancee at the theater, he caves and decides to marry Lulu. Things spin out of control thereafter. This film is the ultimate silent drama. Everything about it is incomparable—the acting, the story, the lighting, the cinematography, the suspense. Louise Brooks is at her most beautiful and at the height of her career. SEE THIS FILM! It is must see viewing. IMDB: Pandora’s Box

City Park (1934) Sally BlaneHenry B. WalthallMatty Kemp

A homeless and hungry young woman tries to get arrested in the park for prostitution so she can have a roof over her head and warm meals. As she is being arrested, three old men become her guardian angels—saving her from arrest and taking care of her until she can thrive on her own. Complications, suspicion, and illegal activity commence. This is a charming romantic comedy. Sally Blane and Henry B. Walthall showcase their talents in strong performances surrounded by  pedestrian acting, but the weaknesses do not detract from the value of this film. It’s engaging from the first scene, and, although no award-winner, it’s a pleasant diversion and well worth watching. IMDB: City Park

Tillie’s Punctured Romance (1914) Charles ChaplinMarie DresslerMabel Normand, Mack Swain, Charles Conklin

A stranger wanders on to a rich farmer’s ranch, discovers the farmer has a lot of cash, convinces the farmer’s daughter to steal her father’s cash and elope to the city with him. In the city, the stranger’s girlfriend is enraged to see him with another woman. When the stranger discovers the farmer’s daughter is to inherit millions from an uncle, he hurries to marry her before she realizes he’s after her money. Conflicts galore within this threesome. This film is the premier example of a feature comedy of the period. Pure humor with no dialogue cards that I recall. Chaplin is a genius at this type of film, and Normand and Dressler give stand out performances. This film is very slapsticky—it’s hard to imagine anything they didn’t bump into, fall over, or get hit with. [I estimate 200 falls, and that may be conservative.] The film may be too slapsticky for contemporary tastes, but it’s great fun if you give it a chance. I highly recommend this movie and any Chaplin film, for that matter. IMDB: Tillie’s Punctured Romance

Minstrel Man (1977) Glynn TurmanTed RossStanley Bennett Clay

A black family is part of a minstrel show, but papa dies in the middle of a performance. One son carries on the minstrel tradition, but the other son is appalled by the minstrel culture and resents his brother for continuing. This film presents blacks in what are stereotypically offensive performances in blackface. Although the movie tries to make a social statement, it is no longer relevant. The movie features good acting and good music, but it’s not  a film contemporary viewers would enjoy. Spend your time with other films. IMDB: Minstrel Man

Paradise Island (1930)  Kenneth HarlanMarceline DayTom Santschi, Betty Boyd

A young woman arrives on a distant tropical island, as the only white woman, to marry her fiancee—a wealthy plantation owner. Unfortunately, she finds him a broken down alcoholic who sleeps with the native girls and is heavily in debt from gambling. She vows, however, to reform him before marrying him. This is a ‘B’ movie with mediocre to terrible acting and the fakest fighting I’ve ever seen on film. Incongruously, there are also musical scenes featuring singing by the principles, which runs contrary to the nature of this gritty film centering on unscrupulous criminals and drunken, libidinous sailors. The film is moderately interesting but can be overlooked without missing much. IMDB: Paradise Island

Strictly Personal (1933) Marjorie RambeauDorothy JordanEddie Quillan, Hugh Herbert

A married couple runs a lonely hearts club out of their home. He’s an ex-con who escaped from prison and is flying under the radar. A teenage girl shows up with a letter from her mother, who is deathly ill, asking the couple to take care of the girl because she is the daughter of the ex-con’s pal, who was supposedly killed in the prison break. A huckster blackmails the couple, works his way into the lonely hearts club business, and preys on a rich widow and the teenage girl. Lots of complications and a murder. This is a well-crafted crime drama with good acting. The action moves the plot along quickly, and the film is interesting from the opening scene. This film is well worth watching. IMDB: Strictly Personal

The Chinese Bungalow (1930) Matheson LangJill EsmondAnna Neagle

An English cabaret singer in China marries a rich Chinese man who takes her to his cottage in the desolate forests of rural China. She has no human contact with anyone but the servants and her husband. Terribly lonely and unhappy, she has an affair with an English gentleman who knew her from the cabaret and followed her to the cottage. Things get ugly thereafter. This is a well-done film with good acting, a good story, and plenty of suspense. You’ll find this movie interesting from the beginning and well worth watching. IMDB: The Chinese Bungalow

This Above All (1942) Tyrone PowerJoan FontaineThomas Mitchell, Nigel Bruce

A young, ultra-patriotic, English aristocrat joins the WAAF during WWII. She meets a dashing young man on a blind date and falls hopelessly in love. Her beau hates aristocrats and is morally opposed to the war. In addition to those conflicts, he   harbors secrets he won’t disclose. This movie, made during the war, is an inspirational ‘Why We Fight’  film disguised as a romance. But it’s a splendid romance. Power and the beautiful Fontaine are exceptional in their roles, and the story is moving, heart-wrenching, and suspenseful. If you’re looking for a war-time romance, there is none better. For romance enthusiasts, this is must see viewing. IMDB: This Above All




Gallant Lady (1933) Ann HardingClive BrookOtto Kruger, Dickie Moore

Sally’s boyfriend dies in a plane accident and leaves her pregnant and alone. Unable to raise her child, she gives him up for adoption. Yearning for her lost child, she schemes to get him back in her life. This Pre-Code gem offers great acting with Ann Harding playing a very sympathetic role to perfection. This is an emotional, suspenseful film with its only weakness being the plot line moving too quickly with unlikely coincidences. The film is totally engaging from beginning to end, and I’d deem it must see viewing. IMDB: Gallant Lady

One Way Passage (1932) William PowellKay FrancisFrank McHugh

On board the ship from Hong Kong to San Francisco a frail beauty falls in love with a charismatic charmer. She doesn’t realize he’s a convicted murderer under the watchful eye of the detective on board, and he doesn’t realize she’s close to death. This is another Pre-Code winner! It’s a romantic comedy with a bittersweet twist. You’ll laugh, and you’ll tug at the box of tissues. Don’t miss this must see film. IMDB: One Way Passage

It’s a Boy (1933) Leslie HensonAlbert BurdonEdward Everett Horton

On Dudley’s wedding day a young man shows up claiming to be his son from Dudley’s long-ago dalliance with a girl in his office. Twists and complications comprise the plot of this film. The movie is a fast-paced farce with an annoying number of improbable complications arising every few minutes. With only a few bright spots and few laughs, I found myself yearning for the end of this dud. IMDB: It’s a Boy

Just Imagine (1930)  El BrendelMaureen O’SullivanJohn Garrick, Mischa Auer

This early ‘talkie’ takes place in the distant future (1980) where people get around in flying cars, communicate via TVs, bring the dead back to life, and travel to Mars. People also have numbers instead of names, and the government decides who marries whom. The plot revolves around a young people who are in love but, by government regulation, are destined to marry others. This science fiction, romance, comedy, musical features the charming Maureen O’Sullivan in one of her first feature films. The movie also highlights many primitive futuristic inventions and too many singing and dancing segments. The movie has some cute moments, but the acting is terrible, the plot takes too many diversions, and it doesn’t hold up well for today’s viewers. You might want to check this out for some innovative cinematic techniques, a 1930s view of the future, and a teenaged Maureen O’Sullivan, but it will appeal to very few modern viewers. IMDB: Just Imagine

Just Like Heaven (1930) Anita LouiseDavid NewellYola d’Avril

A balloon-man/organ grinder bullies another street troupe, which includes a beautiful, young ballerina. Eventually, he falls in love with her, and her boyfriend complicates matters in a tricky love-triangle. This film is a simple, early talkie with mediocre acting and a weak story. It would be difficult for contemporary viewers to tolerate, but it is watchable. IMDB: Just Like Heaven

Beat Girl (Wild for Kicks) (1960) David FarrarNoëlle AdamChristopher Lee, Adam Faith, Shirley Anne Field, Oliver Reed

Serious teenage revolt here! Already rebellious and sneaking out at night to hang with the ‘beat’ crowd, Jennifer accelerates her misbehavior when Dad brings home his new, French bride. This British film has a John Barry soundtrack (a plus) and the storyline is fairly interesting. Acting is mediocre, there is extreme conflict and tension. Worth a watch. IMDB: Beat Girl

Abraham Lincoln (1930) Walter HustonUna MerkelWilliam L. Thorne, Jason Robards Sr.

This film covers Lincoln’s early life through his assassination. The movie is a fascinating look at one of history’s greatest leaders directed by the legendary D. W. Griffith. Huston is a perfect Lincoln and Una Merkel distinguishes herself in her dramatic turn as Ann Rutledge. Whether you enjoy biographies or a good time with an old movie, you will enjoy what I consider must see viewing. IMDB: Abraham Lincoln

Love in High Gear (1932) Harrison FordAlberta VaughnTyrell Davis

Someone steals a gift of valuable pearls at a wedding, and a guest jealously wants his fiancee to elope with him because another guest is her former boyfriend—as well as the boyfriend of many of the other female wedding guests. This comedy turns into a farce when all the principals turn up at the honeymoon hotel and in, out, and through the bridal suite. This film is a weak farce with poor acting, a juvenile storyline, and forced attempts at humor. Don’t waste your time with this one. IMDB: Love in High Gear

Parole Girl (1933) Mae ClarkeRalph BellamyMarie Prevost

A young woman works the rackets in department stores but eventually gets caught. Although the store manager is willing to give her another chance, the man in charge of store security insists that she be prosecuted. She goes to prison hating the man responsible for sending her there and vows revenge. Going into viewing a movie titled “Parole Girl” I wasn’t expecting much, but I was pleasantly surprised. This crime drama/romance is entertaining from beginning to end. Mae Clark is fascinating, and acting all around is spot on. Even with some inexplicable coincidences, the story line works well. This is a solid film. If you’re looking for a well-made, highly entertaining PreCode experience, this is must see viewing. IMDB: Parole Girl

Paris Bound (1929) Ann HardingFredric MarchCarmelita Geraghty, Ilka Chase

A young couple marry and vow to love one another forever. At the wedding it is obvious that there is a girl who is madly in love with the groom and a guy who is madly in love with the bride. Over time infidelity offers itself up to each of the happily married partners—do they bend, do they break, do they remain faithful? This early talkie offers stilted acting and a simplistic story. It also presents a viewpoint of male superiority all too common for the time period. Although this film is watchable, your time is better spent watching a higher quality film. IMDB: Paris Bound

Seas Beneath (1931) George O’BrienMarion LessingMona Maris

A schooner roams the sea with a huge, hidden gun looking for German submarines to sink. The captain falls in love with a beautiful blonde who turns out to be a German spy. This film is directed by John Ford, which is a plus, but the acting is subpar. There is some action at sea and also some intrigue in port, but this is an average film which you can skip without missing much. IMDB: Seas Beneath

Sensation Hunters (1933) Arline JudgePreston FosterMarion Burns, Walter Brennan

A troupe of young girls boards a cruise ship in Los Angeles headed for Panama where they will perform in a nightclub and entertain the male customers. A naive passenger joins the troupe despite warnings from the man on board who has fallen in love with her. This PreCode film features a lot of girls in lingerie, decent acting, and a serviceable story. It’s entertaining enough to hold your interest and is well worth watching. IMDB: Sensation Hunters

Inside the Lines (1930) Betty CompsonRalph ForbesMontagu Love

A woman in high society is suspected of being a German spy. Some around her try to determine if she is, while one handsome gentleman falls in love with her. This film is a bad “B” movie with awkward acting. All I can say is “stay away.” IMDB: Inside the Lines

A Woman of Paris: A Drama of Fate (1923) Edna PurvianceClarence GeldartCarl Miller, Adolphe Menjou

A jilted young woman flees to Paris and lives a tangled life of complicated romances. This silent drama by Charlie Chaplin is a true classic. Chaplin appears only in a brief cameo, but the performances of Purviance and, particularly, Menjou lift this film above similar films of the period. View this melodrama once to enjoy it, give it a rest, and then return to view it again. You’ll appreciate the genius of Chaplin more with every viewing. Of course, this film is must see viewing. A Woman of Paris




Alice Adams (1935) Katharine Hepburn, Fred MacMurray, Fred Stone, Evelyn Venable, Charley Grapewin, Hedda Hopper, Hattie McDaniel

This Booth Tarkington story features working class Alice striving to be a part of upper class society. An upper class beau dates her not knowing her true social status. The viewer watching this film will experience those emotions which filmgoers appreciate in great movies. This film offers a family-oriented, Midwestern culture, nostalgic atmosphere as Katharine Hepburn garners empathy from the viewer. Her performance is outstanding, and her talent combined with a delightful story make this a must see movie. IMDB: Alice Adams

The Little Girl Next Door (1912)

William GarwoodMarguerite SnowMarion Fairbanks, Madeline Fairbanks

A wealthy couple decide to take their daughter to the park. She wants to bring her friend next door. When the maid takes the girls for a walk in the park, she becomes involved in a lengthy conversation with the policeman. Meanwhile, the girls slip away and take a canoe out on to the lake. The canoe tips over, and bad things happen. Won’t spoil the plot too much, but it is a very simple story. This early silent short is mildly interesting and short enough to be entertaining. IMDB: The Little Girl Next Door

Afgruden (The Woman Always Pays) (1910)

Asta NielsenRobert DinesenPoul Reumert

Beautiful young woman falls in love with a circus performer and runs away with him—leaving behind the man who loves her. After she sees her new lover kissing another performer, she attacks the girl on stage during her act. She and her lover are fired. They now need to earn a living, and one option is prostitution. This silent short is well-acted and interesting enough to watch.  The lead actress is particularly good. It’s always rewarding to view competent productions from over 100 years ago. IMDB: Afgruden (The Woman Always Pays)

The Cry of the Children (1912)

Marie ElineEthel WrightJames Cruze 

Mom, Dad and two kids work in the mill every day. They leave little Alice, the youngest child, at home. When the wealthy mill owner’s wife sees Alice getting water, she falls in love and tries to adopt  her. Alice loves her mother too much to leave, though. When a mill strike comes, and times get tough, Alice also goes to work in the mill. With the family still struggling, Alice sneaks off to try to be adopted by the mill owner’s wife. This film is a gritty tale of child labor and a family’s struggle to put bread on the table. Although a primitive early silent, this short is emotional and well worth watching. IMDB: The Cry of the Children

Frankenstein (Edison) (1910)

Mary FullerCharles OgleAugustus Phillips

Frankenstein goes to college, becomes a doctor, and discovers the secret of life. He puts his knowledge to work by creating  a human monster with an evil brain. This Edison film is a very quick version of the classic by Shelley, but it’s interesting to see what Edison did to bring this story to the screen. Of historic interest, as opposed to riveting entertainment. IMDB: Frankenstein (Edison)

Silas Marner (1916)

Frederick WardeLouise BatesMorgan Jones

Poor weaver has a run of bad luck until he ‘adopts’ a curly-haired toddler who wanders into his home as her mother dies in the snow. This is an early silent that is relatively well done for the time. Based on the classic English novel, this is moderately entertaining. IMDB: Silas Marner

The Vicar of Wakefield (1917)

Frederick WardeBoyd MarshallKathryn Adams

A wealthy vicar descends into poverty while continuing to show strength for his family and helping them to deal with misfortune. This early silent film is a decent adaptation of a classic English novel. Although primitive compared to contemporary films, it is watchable. IMDB: The Vicar of Wakefield

Men in War (1957)

Robert RyanAldo RayRobert Keith, Vic Morrow

The story of the foot soldier in the Korean War. A squad of soldiers try to reconnect with their battalion and encounter a number of skirmishes along the way. An average amount of action and a lot of suspense. Incredible cinematography. This is a good war movie. Well worth watching. IMDB: Men in War

City Lights (1931)

Charles Chaplin, Virginia Cherrill

Although the era of silent films had passed, Chaplin refused to make talkies, feeling that silent films were the true film art form. In this film the tramp falls in love with a beautiful blind girl, who has fallen on bad times financially. The film is emotional and beautiful in its own right. Chaplin also wrote the musical score, which adds considerable pathos to the viewing experience. This film marks the high point of Chaplin’s films and would be a good introduction to his work. Chaplin fan or not, sit back and revel in the beauty and grace of a film masterpiece. This is a must see film. IMDB: City Lights

The Sun Shines Bright (1953)

Charles WinningerArleen WhelanJohn Russell, Stepin Fetchit, Milburn Stone, Slim Pickens

A Southern judge, and patriotic Confederate veteran, takes several unpopular stands against his community despite the approach of election day. This John Ford movie has weaknesses to the extent that I was going to recommend skipping it. However, watching the movie to the end, it has redeeming qualities and is worth watching. Winninger shines in this film. Be warned however: there are really objectionable racial stereotypes presented here. There are moments of weak acting, and there are plot flaws. But Ford presents a sentimental, moralistic story which prevents this from being a bad movie. Give it a try, particularly if you are a Ford completist. IMDB: The Sun Shines Bright

So This is New York (1948)

Henry MorganRudy ValleeBill Goodwin, Virginia Grey, Leo Gorcey, Arnold Stang, Hugh Herbert

A contented cigar store worker in Indiana is forced by his wife to travel to New York when she and her sister inherit a large amount of money. He tries to keep track of the money, his wife spends with abandon, and her sister looks for a rich husband. This is a breezy comedy which surprises with wit and laugh-out-loud predicaments. You’ll enjoy this well-done film, which is well-worth watching. IMDB: So This is New York

The Dark Mirror (1946)

Olivia de HavillandLew AyresThomas Mitchell

Someone murders a prominent physician. The police lieutenant narrows the suspect down to a girl who had been dating the doctor. When he interviews the girl, he finds out she has an identical twin. The girls are uncooperative, he can’t tell the difference, and his investigation fails. Great acting here and a great script. Olivia de Havilland convincingly plays dual roles as the twin sisters. This film is a suspenseful, first-rate whodunit. For mastery fans or those who simply like a good movie, this is must see  viewing. IMDB: The Dark Mirror

Bad Boy (1939)

Johnny DownsRosalind KeithHelen MacKellar

A talented engineer rises quickly in his firm but falls just as fast from gambling, a greedy woman, and embezzlement. This is a morality film with mediocre acting and a predictable plot. A B film at best, you can skip this without missing anything. IMDB: Bad Boy

The Mating Season (1951)

Gene TierneyJohn LundMiriam Hopkins, Thelma Ritter, Jan Sterling

A young married couple deals with the problem of two mother-in-laws living with them. The husband’s mother poses as the cook, unbeknownst to the wife. Thelma Ritter is superb, and Gene Tierney is beautiful. Those are the highlights of this film. This farce gets off to a slow start but warms up about half way through—making it an enjoyable viewing experience. IMDB: The Mating Season

WUSA (1970)

Paul NewmanJoanne WoodwardAnthony Perkins, Pat Hingle, Laurence Harvey, Cloris Leachman, Wayne Rogers

An alcoholic, liberal radio personality takes a job in New Orleans at the conservative radio station WUSA, gets involved in a conspiracy, and, in the meantime, hooks up with a down-and-out barmaid. Both are seeking things that don’t exist for them. The film takes place at the end of the 60s and addresses the social issues relevant at the time. Woodward and Newman are an incredible acting team—as were Tracy and Hepburn and Bogie and Bacall—but they’re also outstanding dramatic actors in their own right. This movie is dated, slow-moving and confusing at times, but enjoy this character study for the strong acting from all involved—but particularly Woodward and Newman. IMDB: WUSA

Poppy (1936)

W.C. FieldsRochelle HudsonRichard Cromwell

Fields adopts Poppy as a little girl and raises her in the circus where he works as a medicine salesman. As a young woman Poppy falls in love with the mayor’s son but is seen by many as not worthy because of her background. There are also complications regarding an inheritance. This movie is funny and tender. Fields does well as a dramatic actor as well as a comedian, and Hudson is adorable and gives an engrossing performance. This film is a classic and a must see movie. IMDB: Poppy




It’s In the Bag (1945)

Fred AllenJack BennyDon Ameche, William Bendix, Rudy Vallee, Binnie Barnes, Robert Benchley, Jerry Colonna, Sidney Toler 

Flea circus ringmaster, Fred Floogle, inherits $12,000,000 from his deceased uncle, only to find that the lawyers embezzled the money and left him only a few chairs and a phonograph record. The record is a recording of his uncle telling him there is $300,000 hidden in one of the chairs. The rest of the film follows Floogle going through outlandish and hilarious scenarios trying to find the chair with the money. Although outdated with corny humor, this film is packed with stars and comedians and is a lot of fun if you give it a chance. IMDB: It’s in the Bag

Magic Town (1947)

James StewartJane WymanKent Smith

Pollster, Rip Smith, sees Grandview as having perfect demographics for polling, so he works undercover in insurance as he secretly conducts his polls.  Turns out, he embarrasses the town nationally. This, in addition to the city leaders of Grandview making disastrous decisions pushes the town nearly into bankruptcy. Rip Smith then steps in to dramatically turn things around. Simple plot here—political arrogance and shenanigans, disaster, hero enters, feel-good recovery. I either viewed a “cut” version of this film, or there were serious plot omissions. It was difficult to connect some plot actions to others. Jimmy Stewart plays his “gee whiz,” optimistic character as he does in many films. This film is no award-winner, but it’s passable entertainment. IMDB: Magic Town

Look Back in Anger (1989)

Kenneth BranaghEmma ThompsonGerard Horan

A weak, downtrodden housewife lives with a brutish husband. A girlfriend steps in to “help” her. This is a powerful drama with superb acting. The entire filmed play takes place in a one-room apartment. At times it is difficult to hear the dialogue because of fast-talking British dialect and some mumbling. The raw emotionality and the presentation, however, make this a riveting drama that is well worth watching. IMDB: Look Back in Anger

Silas Marner: The Weaver of Raveloe (1985)

Ben KingsleyJenny AgutterPatrick Ryecart

This poor guy can’t catch a break. Falsely accused of theft, Silas Marner’s community banishes him. In addition to an odd, non-communicative personality, he also startles others with a condition in which he looks dead. When a woman dies in the snow in front of his house, Marner fights to keep her toddler daughter he found in his house. He’s robbed of his fortune and later in life threatened again with the loss of his “daughter.” This is a dreary film with a powerful but equally dreary soundtrack. I can see viewers bailing on this film early thinking the film boring, but if one sticks with it to the end, it will be a rewarding viewing experience. Kingsley is excellent as Marner, and the cast of actors is equally as compelling. There are some emotional and heart-breaking moments, and if you watch to the end, you’ll realize you’ve watched a very well-done film. This is an excellent adaptation of Eliot’s classic novel. IMDB: Silas Marner: The Weaver of Raveloe

The Woman in White (1997)

Tara FitzgeraldJustine WaddellAndrew Lincoln, Simon Callow, Ian Richardson

Half sisters lead a privileged life until one marries and moves out. Strange things happen: the married sister has changed and no longer talks with her sister; their tutor is fired in disgrace over an inappropriate act with the housekeeper; and a woman in white roams the woods with a devastating secret. Murder, greed, deceit, intrigue, romance, illicit love, and so many unexplained circumstances. This film is truly a great mystery and engaging from start to finish. It’s a wonderful adaptation of the classic novel by Wilke Collins, and if you enjoy films based on literature—this is must see viewing. IMDB: The Woman in White

In the Wake of the Bounty (1933)

Arthur GreenawayMayne LyntonErrol Flynn

This film is a combination travelogue, drama, and documentary. It presents dramatic scenes from the mutiny, including contemporary scenes shot in Tahiti.  It also highlights current life on Pitcairn Island, showing the day-to-day functions and struggles of the descendants of the mutineers. The dramatic scenes are amateurish and actually painful to watch. The Tahitian scenes and the contemporary Pitcairn scenes are only of historical interest. Most interesting are the views of the beautiful Tahitian women. View this film only if you have an historical interest in the events and the legacy of the mutineers. IMDB: In the Wake of the Bounty

Letter From an Unknown Woman (1948)

Joan FontaineLouis JourdanMady Christians 

A teenage girl has an obsessive crush on a concert pianist who lives in her building. The crush grows into an affair and a life-long adoration. The young girl’s romance is bittersweet because of the many women in his life. This film is a standard romance/melodrama with good acting and a good story. Nothing truly exceptional here, but it is worthwhile entertainment. IMDB: Letter from an Unknown Woman

Harlow (1965)

Carol LynleyEfrem Zimbalist Jr.Ginger Rogers

This film  is a biopic of Jean Harlow from her first screen test to her death. Considering the subject matter, this could have been a great movie. However, it’s a bad movie. Production values are zero. Acting is subpar. If you choose to watch this movie, be prepared to cringe a lot. IMDB: Harlow

Sleep, My Love (1948)

Claudette ColbertRobert CummingsDon Ameche

Is Alison going crazy and doing unusual and dangerous things, or is there a conspiracy? This is a well-done Gaslight-type thriller. Suspenseful and engaging from the action-filled opening scene. Acting is superb, and the plot twists entertaining. As a bonus, there are snippets of humor throughout. Great movie. Must see viewing.  IMDB: Sleep, My Love

Ruthless (1948)

Zachary ScottLouis HaywardDiana Lynn

Horace Woodruff Vendig uses friends, family, women, and business associates to advance in life. He’s ruthless and feels he can get absolutely anything he wants. This is a fast-moving, interesting film with good acting and an engaging plot. It’s well worth watching. IMDB: Ruthless

Treasure of Fear (Scared Stiff) (1945)

Jack HaleyAnn SavageBarton MacLane

Chess reporter for a newspaper is suspected of murder and gets involved with thieves looking for hidden jewels in a chess set. This farce tries for laughs, but the weak acting and humorless scenes all fall flat. I kept waiting for a redeeming moment, but then ‘The End’ appeared. This is lame. Skip it. IMDB: Treasure of Fear (Scared Stiff)


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[Take the opportunity to review and access Dan L. Miller’s Complete Works at: Dan L. Miller’s Works]


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