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Rare, Seldom-Seen and Classic Movie Recommendations Blog

I watch movies every day because movies significantly enhance the quality of my life. I enjoy popular movies, award-winning movies, classic movies, and various genres. I find particular pleasure, however, in discovering rare, seldom-seen and classic movies that engage me and leave me with that satisfying feeling of having shared a beautiful artistic moment with those who created the film. Although I view some modern seldom-seen movies, I focus more on rare and seldom-seen movies from the Silent Era, the Pre-Code Era, and the Thirties.

I consider rare movies to be those that are difficult to find or that may be prohibitively expensive. The 1962 French movie Thérèse Desqueyroux, Abel Gance’s Napoleon from 1927, and Disney’s Song of the South are rare because they are, generally, unavailable in the United States in a format that is playable on U.S. DVD players. Seldom-seen movies, on the other hand, are movies that are readily obtainable but are seldom viewed.

Many movie viewers don’t realize the fine quality and artistic importance of rare and seldom-seen movies. One can have an incredibly moving experience discovering and watching movies that people seldom see.

I endeavor in this blog to write short opinions of rare movies, classic movies, silent movies, and seldom-seen movies to point movie viewers to films I know they would appreciate and enjoy and to point out rare and seldom-seen movies that viewers should avoid because of poor quality or boring content. I include in each entry the movie title, year of release, and stars. I devote just a few words to the plot because viewers can easily access detailed synopses and reviews on such sites at IMDB.COM and AMAZON.COM. I provide a few sentences of opinion on the movie and then finish with my recommendation and a link to the movie on IMDB.COM. If I indicate a movie is a must see movie, I am confident anyone watching this movie will find the experience gratifying.

I record most recent posts first and include posts from previous years in archive PDFs.

Where does one find rare and seldom-seen movies?  AMAZON.COM sells most of the seldom-seen movies, and many are very inexpensive if one buys used DVDs. In some cases, seldom-seen movies are not for sale in the United States. In these cases, search the internet to find the movies for sale from foreign vendors. The cost of foreign-purchased movies is, in most cases, not much more expensive than movies purchased in the United States. (Carefully check the regional code for foreign movies, however, because some may not play on U.S. DVD players. In these cases one can use computer software to recode the movie.)

A free source of seldom-seen-movies is the public library. One can request nearly any movie through the local library’s interlibrary loan process. The library can obtain at no charge any movie located in one’s state. For a small fee, the library can obtain any movie cataloged in the United States. One can also find seldom-seen-movies on the American Movie Classics (AMC) and Turner Classic Movies (TCM) cable channels. Their web sites list schedules of movies. Another source for viewing rare and seldom-seen movies is the website archive.org/index.php. One can watch online movies on the site or download movie files of videos in the public domain. There are also links on the IMDB.COM website for viewing movies in the public domain.

I strongly encourage those interested in movies to explore rare and seldom-seen movies because the viewing experience can be rewarding and enjoyable. Take a break from popular movies and discover movie-making geniuses from the past and movies featuring stars who deliver astounding performances.

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Because I appreciate movies, I begin my blog with quotations that demonstrate the importance of movies in our culture and the enjoyment one can get from viewing films. I also present a voluminous collection of film quotations on the Best Quotes for English Teachers and Students page of my website.


The films made in the first half of the 20th century are in many ways superior to the films being made now. It wasn’t an industry forced by bankers and investors to pander to 18-year-olds. A film now has to fill vast numbers of seats. Studios have to show huge profits to the multinational corporations that own them. Not exactly like the old days of classic Hollywood.

–Mike Disa

The movie is the imagination of mankind in action.

 –Gilbert Seldes

I always liked movies…they were Milk Duds for the soul.

–Joe Queenan

The moving picture is beautiful; the moving wind in the trees is more beautiful than a painting.

–D. W. Giffith

All life’s riddles are answered in the movies.

–Steve Martin

The cinema has no boundaries. It is a ribbon of dreams.

–Orson Welles

There are more valid facts and details in works of art than there are in history books.

–Charlie Chaplin

How can a serious, passionate artist not make film? It’s the most important art form ever created.

–Mike Disa

Through the magic of motion pictures, someone who’s never left Peoria knows the softness of a Paris spring, the color of a Nile sunset, the sorts of vegetation one will find along the upper Amazon and that Big Ben has not yet gone digital.

–Vincent Canby

Pictures are for entertainment, messages should be delivered by Western Union.

–Sam Goldwyn

We live in a box of space and time. Movies are windows in its walls. They allow us to enter other minds—not simply in the sense of identifying with the characters, although that is an important part of it, but by seeing the world as another person sees it.

–Roger Ebert

The world of reality has its limits; the world of imagination is boundless.

–Jean-Jacques Rousseau

Film is the only really vital American art form right now. It’s a unifying, worldwide, powerful art form that’s unique in human history.

–Mike Disa

If I can make them laugh and through that laughter make this world seem just a little brighter, then I am satisfied.

–W. C. Fields

When a movie transports me in an emotional way, it inspires my imagination or my intellect. I love to lose myself in the characters or the world the director is creating. It’s rare and wonderful.

–Ron Howard

Film is a disease. When it infects your bloodstream, it takes over as the number one hormone; it bosses the enzymes; directs the pineal gland; plays Iago to your psyche. As with heroin, the antidote to film is more film.

—Frank Capra

One can be sad, alone, detached from family and friends, and the movies can fill a void. Film can provide one for a short period of time with an intimate relationship with characters who fully participate in all aspects of life. One becomes absorbed in a film and vicariously experiences life through characters created by gifted artists.

–Dan L. Miller

Television and film are our libraries now. Our history books.

—David Strathairn

The carpeted, gilt-adorned palace interior of the theater, where in the darkness you find two seats, whisper a remark or two, and go lifting, speeding into the great moving magic of the silver screen which pulls all into itself, lulling with the magnetic other-worldliness all who sit in adoration before it. The collection is taken discreetly at the door by the gaunt, gray-haired man in the scarlet uniform with the crust of gold braid, and the worshipers are ushered to their cushioned pews in reverent darkness. No matter if they are late; the service is continuous, and if the beginning of the first mass is missed, one may stay through the beginning of the second to achieve full continuity. In the democratic twilight, the clothes of the patrons are not in evidence. If Mrs. Allan’s hat is out of taste, if Mac the cabdriver snores through the dull first lesson or the news reel, if Mamie and Joe nuzzle each other playfully, fondly in response to the sermon of a screen kiss, there is no one to be censorious, no one who really minds. For this is the altar at which more Americans spend their time and money, daily, nightly than ever before. Here the mystic incense of the traditional popcorn, chewing gum and chocolate, of mixed perfume and whiskey smells is neutralized and cooled by the patented air-conditioning system. And here people can lose their identity in a splurge of altruism before the twentieth century god. His messengers, his missionaries are everywhere. Dark in the room above your heads, one runs the machine; reel after vibrating reel of divine life circles under his directions onto the mammoth screen, playing forth the drama, the life force, the Bible of the masses. Rave notices are circulated in the newspapers. Everybody reads them. Sex and slaughter are substituted for the sin and sulphur of the pulpits, now quite antiquated. Instead of watching a man dictate manners and morals, you watch the very workings of these manners and morals in an artificially constructed society which to you, is real. Which, to all the worshipers, is the most wonderful and temporary reality they could every hope to know.

–Sylvia Plath

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Recommendations from 2016

2016 Posts

Recommendations from 2017

2017 Posts

Recommendations from 2018

2018 Posts

Recommendations from 2019

2019 Posts

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Midnight (1934) Sidney Fox, O.P. Heggie, Humphrey Bogart

Mr. Weldon serves as jury foreman, delivering the murder verdict for a woman convicted of murder in a crime of passion. Without considering extenuating circumstances, Mr. Weldon believes “The law is the law.” On the night of the murderess’s execution, Weldon’s own daughter confesses to murdering her lover. Humphrey Bogart plays a pivotal role in this film. This tense drama makes imaginative use of photography, and despite mediocre acting, viewers will find this film entertaining. IMDB: Midnight

Dynamite (1929) Conrad Nagel, Kay Johnson, Charles Bickford, Julia Faye, Joel McCrea, William Holden

Wealthy socialite, Cynthia, loves and wants to marry Roger, a man married to another wealthy socialite, Marcia. Even though Marcia has her own lover on the side, she extorts Cynthia for money in order for her to divorce Roger. In the mean time, Cynthia is in line for an extraordinary inheritance which carries the stipulation that she be married by a particular date. With the date fast approaching, she realizes she can’t marry Roger in time to collect on the inheritance. She decides to marry an accused murderer on death row, Hagon, who is about to be executed. Cynthia endures the marriage ceremony in front of Hagon’s jail cell in order to collect her inheritance and marry Roger at a later time.  After the legal ceremony, and minutes before the execution, the actual murderer confesses, and the warden releases Hagon from prison. He intends to claim his bride. Superb acting, particularly by Kay Johnson, and the tension between her character and Charles Bickford’s Hagon highlight this incredibly engaging film.  Head-snapping plot twists, occasional humor, sexy flappers, and warm sentiment keep viewers’ attention throughout. This film ranks as one of the PreCode films I’ve enjoyed most, and, directed by Cecil B. DeMille, viewers will find this extraordinary film to be MUST SEE VIEWING. IMDB: Dynamite

Hot Pepper (1933) Edmund Lowe, Lupe Velez, Victor McLaglen, Boothe Howard

After their discharge from the Marines, Quirt and Flagg compete over the years for money and women. When bootlegger Flagg unwittingly imports a sexy spitfire from South America, the boys focus their attention and their futures on her whims. This film showcases the talents of Lupe Valez and the comedic repartee between Edmund Lowe and Victor McLaglen. The humor borders on silliness, but Valez shines in a high-powered, talented tour-de-force. Entertainment value—worth watching. IMDB: Hot Pepper

Lady in Danger (1934) Tom Walls, Yvonne Arnaud, Anne Grey, Hugh Wakefield

Suave Englishman, Richard Dexter, travels to Ardenberg to surreptitiously extricate the queen from the danger of the revolution in her country. He smuggles her out of the country, hides her in his apartment and later in his country house. Not surprisingly, Dexter, develops a close relationship with the queen, who is not familiar with the customs and everyday lives of ‘normal’ people. The relationship also raises the suspicions and ire of Dexter’s fianceé. This British comedy elicits a few titters, but there are so many better films from this period to watch. Don’t waste your time. IMDB: Lady in Danger

Dancers in the Dark (1932) Miriam Hopkins, Jack Oakie, William Collier Jr., Eugene Pallette, George Raft

Men pay for dances with women at the dance hall. Gloria dances with the men and sings with the band. Despite her sinful reputation, the band leader loves her and the local gangster considers her ‘his girl.’ Gloria, however, falls in love with the band’s saxophone player, and they plan to marry. Tension, deceit, threats, misunderstandings, and murder ensue. The film showcases Miriam Hopkins’ talents, Jack Oakie puts in his usual, strong performance, and George Raft authentically plays the gangster. This outstanding film entertains. IMDB: Dancers in the Dark

Delicious (1931) Janet Gaynor, Charles Farrell, El Brendel, Virginia Cherrill, Mischa Auer

Heather’s excited to immigrate to America, but a letter from her sponsor awaits her in New York harbor. He can no longer support her, and she’s to remain in immigration’s custody for her trip back to Scotland. She escapes the authorities and finds adventure and love ashore—all the while frantically eluding immigration authorities. This lightweight film starts slowly and builds throughout to a suspenseful conclusion. Gaynor pushes cuteness to its limits, musical numbers achieve only mediocrity, and the humor at times elicits groans. Nevertheless, the film entertains at a moderate level. IMDB: Delicious

Honey (1930) Nancy Carroll, Harry Green, Lillian Roth, Mitzi Green, Zasu Pitts, Louise Beavers

Once wealthy sister and brother rent out their mansion and pose as the cook and the butler. Some of the genuinely wealthy tenants fall in love with the ‘servants.’ This unusual farce with musical numbers may have served as a time-passer in 1930, but contemporary viewers will find this film too aggravating to watch. Avoid a disjointed plot, unnecessary and inexplicable musical numbers, an annoying brat, forced coincidences, and unrealistic relationships by avoiding this dud of a film. IMDB: Honey

Beauty for Sale (1933) Una Merkle, Madge Evans, Alice Brady, Otto Kruger, May Robson, Hedda Hopper, harley Grapewin

Flat broke Letty asks her friend to get her a job in the beauty salon, where many of the girls make their way in life by hooking up with sugar daddies. Letty finds her man. He’s wealthy, in love with her, and married. She struggles with her decision regarding her path forward. This engaging film provides competent acting, imaginative cinematography, a solid plot, suspense, and a high level of entertainment. You’ll enjoy this must-see viewing film. IMDB: Beauty for Sale

City Streets (1931) Gary Cooper, Sylvia Sidney, Paul Lukas, William ‘Stage’ Boyd, Guy Kibbee

As a hit man for the mob, “Pops” uses his daughter, Nan, to assist him as needed. When she takes the rap for him and goes to prison, her carnival barker boyfriend joins the mob to improve his status and help Nan—on the advice of “Pops.” Uneven acting in this potboiler fails to detract from the power of the narrative. Cooper, as usual, delivers a solid performance. A strong, suspenseful plot keeps viewers’ eyes on the screen, and the inventive cinematography enhances the viewing experience. A dramatic, unique climax tops off this this must see film. IMDB: City Streets

24 Hours (1931) Kay Francis, Clive Brook, Miriam Hopkins, Regis Toomey

Fanny and Jim live a listless, loveless marriage. Both alcoholic Jim and beautiful Fanny find companionship with lovers. After a night at the club, Jim falls drunk on his lover’s couch and wakes in the morning to find her dead. This well-done film offers quality acting, suspense, heartbreak, and hopelessness. Entertaining and well worth watching. IMDB: 24 Hours

The Hole in the Wall (1929) Claudette Colbert, David Newell, Nellie Savage, Edward G. Robinson, Donald Meek

Using a spiritualist as a front for their criminal activities, a gang teams up with a young woman, Jean, to seek revenge on the grandmother who falsely accused her of crimes that sent her to prison. Jean plans on kidnapping her young granddaughter and raising her as a criminal. If the Golden Raspberry Awards (Razzies) existed in 1929, this film would win. A cringe-worthy plot accompanies a primitive presentation with no redeeming qualities. Skip this one. IMDB: The Hole in the Wall

After Tomorrow (1932) Charles Farrell, Marian Nixon, Minna Gombell, William Pawley, Ralph Morgan

Sydney works against all odds to bring about her marriage to her lovable mug, Peter. His mother challenges the marriage, her mother runs off with the border, her father fights heart failure, the couple pinch pennies to pay for a wedding, and Peter looks in earnest for a better job. This bittersweet romance entertains. Marian Nixon’s sweetness shines and Charles Farrell’s “aw shucks” portrayal provides a perfect counterpoint. Solid acting, a great story, and emotional conflicts make this romance Must See viewing. IMDB: After Tomorrow

The Mad Whirl (1925) May McAvoy, Jack Mulhall, Myrtle Stedman, Barbara Bedford, Alec B. Francis, Marie Astaire, Grady Sutton

The wealthy Herringtons host wild parties regularly. Mom and Dad provide the booze and entertainment and each have lovers on the side. Son, Jack, a neer-do-well partier with a fiancee falls in love with the malt shop owner’s daughter, Cathleen—a virginal, church-going young girl devoted to her dad. Her dad forbids her to see Jack, but she’s torn between her love for Jack and her devotion to her father. Even with marginal acting, a slim plot, and an annoying soundtrack that doesn’t match the action, this film entertains enough to be watchable. IMDB: The Mad Whirl



Unholy Garden (1931)  Ronald ColmanFay WrayEstelle Taylor, Tully Marshall, Mischa Auer

International bank robber, Barrington Hunt, flees Paris for the Sahara Desert. He kidnaps a woman who tried to trap him for the reward, and hides out in a notorious den of thieves in the desert. A blind old man, tended to by his beautiful, young daughter, protects the hidden treasure in his apartment. Hunt attempts to foil the other thieves, his kidnapped hostage, and the old man’s daughter to secure the treasure. Some suspense, a bit of humor, and Colman/Wray hold this film together, but mediocrity reigns throughout. Mildly entertaining. IMDB: Unholy Garden

The Witching Hour (1934) Guy StandingJohn HallidayJudith Allen, William Frawley

Clay Thorne loves heiress, Nancy Brookfield, and visits her Kentucky mansion frequently. Her father, Jack, runs an illegal casino out of his house. In front of Clay, he has a run-in with a local authority and threatens to kill him. Clay harbors an extreme fear of cat’s eyes, and when he freaks out at the sight of Jack’s cat’s eye ring, Jack hypnotizes him to relieve his fear. Unfortunately, the hypnosis results in unexpected and deadly consequences. This well-acted film offers an unusual story-line and surprising plot twists. Not an award-winner, but, also, not a waste of time. IMDB: The Witching Hour

Thunderbolt (1929) George BancroftFay WrayRichard Arlen, Tully Marshall

Ritzie, the long-time girlfriend of gangster, Thunderbolt, falls in love with another man and attempts to leave Thunderbolt. He refuses to let her go and threatens to kill her new lover. Against all odds and at great peril, Ritzie and her lover pursue their relationship. Although the wooden acting in this early talkie detracts from the film, the story and the plot twist at the end make this film worth watching. IMDB: Thunderbolt

The Man Who Came Back  (1931) Janet GaynorCharles FarrellKenneth MacKenna

A wealthy industrialist comes down hard on his worthless, shallow son by cutting off his funds and sending him to San Francisco to start at the bottom in one of his businesses. He washes out there, as well, but falls in love with a young lady before being kidnapped and taken to Shanghai. Devoted to her man, his new love follows him to Shanghai but descends into a hellish existence. This pre-code film features underwear, alcoholism, opium addiction, prostitution, and mental illness. Populated with unlikeable characters, this film fails in a big way. As a viewer who believes in watching a full movie once started, I was tempted many times to pull the plug on this dud. I even found Janet Gaynor’s performance unwatchable at times. An  unimaginative, confused plot with unrealistic coincidences make this film one to avoid. Hard to say, considering the first-rate leads in this film, but The Man Who Came Back ranks as one of the worst films I’ve ever seen.  IMDB: The Man Who Came Back

The Royal Family of Broadway (1930) Ina ClaireFredric MarchMary Brian 

Mother, daughter, and brother are theater royalty. Granddaughter balks at a career in the theater because she’s in love and wants to marry. Brother dodges commitments and tries to hide from a breach of promise threat. Daughter’s old flame shows up with a proposal of marriage. The conflict of life in the theater and a life of love and marriage stands at the center of this film. Despite the hokey antics of Fredric March in this film, the acting is superb, the screenplay written by Edna Ferber and George Kaufman first rate, and the entertainment value high. The emotional conclusion to the film makes the viewing experience worthwhile. IMDB: The Royal Family of Broadway

The Studio Murder Mystery (1929) Neil HamiltonDoris HillWarner Oland, Fredric March, Eugene Pallette

Philandering actor, Richard Hardell, makes love to Helen, the naive, young daughter of the studio’s night watchman. When Richard’s wife visits the studio, she finds Helen in her husband’s dressing room. She takes Helen home with her, and tells her the story of Richard’s many lovers and that he’s just stringing her along. Helen’s brother and father find out about her relationship with Richard, and Richard’s current director threatens to fire him, so numerous suspects have a motive when Richard turns up murdered at the studio. Substandard acting and a mediocre screenplay make this primitive Precode film difficult to watch at times. Although watchable, better Precode mysteries would fulfill a viewer’s entertainment needs. IMDB: The Studio Murder Mystery

State Fair (1933) Janet GaynorWill RogersLew Ayres, Sally Eilers, Louise Dresser, Victor Jory

Ma prepares her foods and Pa readies his prize hog, Blue Boy, for competition at the state fair. Although the competitions play a part in the plot, the film focuses on the romance of daughter, Margy, and the dalliance of son, Wayne. Actual Iowa state fair footage adds authenticity to this film, and the plot provides humor, sentimentality, and romance. And, yes, Janet Gaynor is adorable. As a light romantic comedy, this film delivers. Highly recommended. IMDBState Fair

The False Madonna (1931) Kay FrancisWilliam ‘Stage’ BoydConway Tearle

Four grifters flee the town they just fleeced, and on the train the porter asks the doctor in the group to help a seriously ill lady. Although he’d lost his license, he agrees to help the lady, who’s on her way to meet her estranged, teenage son, who she hasn’t seen in many years. She’s wealthy. The doctor stays with her, gets off the train to accompany her to the hospital, but she dies. He schemes with his partner to impersonate the mother and scam the son for money. She yearns to leave the racket, but agrees to one last job. When she arrives at the mansion to see her “son,” she finds out he’s blind and ill. She falls in love with the boy, he falls in love with his “mother,” but she’s pressured by her partner to “get the money.” Interesting film if one can wade through the syrupy sentiment. Kay Francis delivers a low-energy, understated performance, while others make journeyman efforts. Worth a watch. IMDBThe False Madonna

The Heart of New York (1932) Joe SmithCharles DaleGeorge Sidney

Mendel struggles to pay the rent and provide for his family in the Jewish ghetto of New York City. He secretly takes money from his daughter to develop his invention, and when its sale makes him rich, the family takes a turn for the worse. This Precode film seems to be a Jewish Amos N’ Andy in that it features Jewish stereotypes that may offend viewers’ sensitivities. This comedy with PreCode attributes doesn’t age well, and contemporary viewers would be best to skip this one. IMDBThe Heart of New York

Secrets of a Secretary (1931) Claudette ColbertHerbert MarshallGeorges Metaxa

During a late-night double date, the couples decide on a whim to get married. When Helen gets home in the early morning, the nurse announces her father is near death. She runs to his room, only to have him die in her arms. When the estate is settled, she finds out that her father was bankrupt. Her new, but ne’er-do-well, husband, explodes when she explains she has no money. He’d lied about his wealth and has nothing as well. He leaves and takes a job as a gigilo in a night club run by the mob. She takes a job as a social secretary for a wealthy family and falls in love with the young daughter’s fiancee. Intrigue, romance, illicit love, and murder ensue. Colbert doesn’t disappoint, and this first-rate film entertains. Highly recommended. IMDBSecrets of a Secretary

Stage Mother (1933) Alice BradyMaureen O’SullivanFranchot Tone, Ted Healy

Vaudevillian Kitty, while pregnant with her child, loses her husband in a trapeze accident. When her daughter, Shirley, comes of age, Kitty drives her, against her will, into show business. Kitty deviously works to promote Shirley’s career, thwarting her romances and promoting elicit relationships that will boost her career, as well as Kitty’s lifestyle. Maureen O’Sullivan shines as the rising star in this film, and the supporting cast excels. The musical numbers add to the film’s entertainment value but fall short of quality performances. Overall, this film delivers a high level of entertainment, and is well worth watching. Highly recommended. IMDBStage Mother

Stamboul Quest (1934) Myrna LoyGeorge BrentLionel Atwill, Mischa Auer

Fräulein Doktor uses her beauty and sex appeal as a spy for the Germans during the Great War to achieve her objectives. She outs Mata Hari for letting love interfere with her role as a German spy, which leads to Mata Hari’s execution. Unfortunately, during her mission to Istanbul, Fräulein Doktor, herself falls in love with a man who’s been pursuing her relentlessly, and her role as a spy who trades sex for secrets creates the major conflict in the film. Myrna Loy excels in this film which features suspense, intrigue, romance, and sexual tension (a lot). See Myrna Loy at her best in this exceptional Must See film. IMDBStamboul Quest

My Sin (1931) Tallulah BankheadFredric MarchHarry Davenport

Representatives of the dregs of society can be found in a Panamanian night club. Carlotta entertains for drinks and favors while the ex-lawyer, Dick Grady, exists as an irredeemable drunkard. A stalker breaks into Carlotta’s apartment and ends up dead. Dick defends her in court, and they develop a symbiotic relationship. Plot twists, romance, drama, murder, suspense, superior acting and professional production values make this film a winner. To see Tallulah Bankhead at her best, don’t miss this Must See view. IMDBMy Sin

Professional Sweetheart (1933) Ginger RogersNorman FosterZasu Pitts, Frank McHugh, Allen Jenkins, Franklin Pangborn, Edgar Kennedy, Sterling Holloway

A radio program features songs from “The Purity Girl.” The sponsor wants to sign her to a long-term contract with morality clauses, and a competing company also wants to sign her without morality clauses. On the radio the Purity Girl comes off as sweet and innocent. Off the radio she wants to smoke, drink, and go out with men. To promote her innocence, the company’s publicist sets up a romance and on-the-air wedding. The groom doesn’t realize it’s a publicity stunt. Although this film offers only light, comedic fare, Ginger Rogers makes the most of her role and turns a modest film into a movie well worth watching. IMDBProfessional Sweetheart

Sailor’s Luck (1933) James DunnSally EilersVictor Jory 

The fleet pulls into port, and the sailors pour onto shore looking for booze and babes. One sailor lucks out by finding a sweet, pretty girl who just got evicted and needs help. He sets her up in an apartment and expects a return on his investment. She’s too innocent, however, and he falls out of lust and into love. He stumbles along in his relationship, though, and risks losing her altogether. One can abandon this film early because of the sophomoric attempts at humor, but if one sticks with this film, it does provide a moderate level of entertainment. IMDBSailor’s Luck

Misleading Lady (1932)  Claudette ColbertEdmund LoweStuart Erwin, George Meeker, Will Geer

A wealthy, young lady, bored with her life, connives a meeting with a broadway producer. After much wrangling and his suggestion that she pursue a gentleman also at the gathering, she makes a deal with the producer. If she can convince the gentleman to propose marriage within three days, the producer will consider her for the lead in his new play. At a party, she secretly records her rendezvous with the gentleman, who, indeed, does propose to her, even though she has a fiancee. She’s abruptly called out of the room. The gentleman also wanders out while partygoers flood into the room to play the record player with the recorded proposal still in place. Everyone at the party hears the proposal, to the extreme embarrassment of the gentleman, who realizes the young lady manipulated him. And next…he kidnaps the young lady.  This farce provides all the stock characters for a farce along with quick entrances and exits and exaggerated drama. A clever plot and effective acting drive the fun in this romp. Well worth watching. IMDBMisleading Lady

Murder by the Clock (1931) William ‘Stage’ BoydLilyan TashmanIrving Pichel, Regis Toomey

A wealthy matron finalizes her will and has to decide whether to leave her vast fortune to her crazy son or her alcoholic nephew. After she makes her decision, mayhem ensues and bodies pile up. A rather trite plot and amateurish acting weaken this film, but the suspense and intrigue make this film worth watching. IMDBMurder by the Clock

Murder at Dawn (1932) Josephine DunnJack MulhallEddie Boland, Mischa Auer

With two friends, a young girl introduces her fiancee to her scientist father, who happens to live in a mansion with secret rooms and passages. On a dark night with thunder and lightning, and murder—it appears to be the perfect atmosphere for a whodunit, except this film fails at every level. Actors perform so poorly that they flub lines and the scene remains in the film. Slapstick intrudes on the horror that should anchor this film. Fight scenes elicit more snickers than suspense. Bottom line—viewers should not waste their time with this one. IMDBMurder at Dawn

Laughter (1930) Nancy CarrollFredric MarchFrank Morgan

A young chorus girl marries a much older millionaire but can’t resist the laughter and carefree existence of her previous life—-and previous boyfriends. Her husband also tasks her with watching over his wild daughter back from college. Competent acting and an intriguing storyline make this film engaging from start to finish. No laughter in this one, but an examination of the conflict of wealth and comfort vs. true love. Well worth watching. IMDBLaughter

Looking Forward (1933) Lionel BarrymoreLewis StoneBenita Hume, Billy Bevan

Due to the Depression, department store owner, Gabriel Service , needs to fire a number of staff. Because of his personal relationship with a low-level clerk, Tim Benton, who has worked with the store for forty years (as did his father and grandfather) he fires him personally. Tim Benton returns to his humble home, wife and two grown children, who realize they have to sacrifice. Gabriel Service returns to his mansion with servants and a wife and two grown children, who do not understand sacrifice. This well-done film focuses on the differences between the worker and the elite during the Depression while glossing over the bitter suffering of most during this time and providing a saccharine ending. This film is well worth watching. IMDBLooking Forward




Campus Vamp (1928) Daphne PollardJohnny BurkeSally Eilers, Carole Lombard

College rivalries among co-eds for the big man on campus. Blondes vs. brunettes in this film with examples of some women being more aggressive in getting their man than others. The big dance and the baseball game at the beach provide the highlights. This silent short provides interest with a glimpse into campus life in the 20s. Lots of slapstick in this short with some laughs and antics focused on female rivalries. Mildly interesting. IMDB: Campus Vamp

Circus Queen Murder (1933) Adolphe MenjouDonald CookGreta Nissen 

New York police commissioner takes a vacation with his secretary. While visiting a suburban New York town, they visit a circus where intrigue reigns. The beautiful trapeze artist is having an affair with the circus star while her husband vows revenge. He threatens to kill her and her lover and destroy the circus. Commissioner Colt takes charge of the investigation. The circus cannibals are suspicious, the murders are gruesome, and this mystery is entertaining enough to deserve a watch. IMDB: Circus Queen Murder

St. Louis Woman (1934) Jeanette LoffJohnny Mack BrownEarle Foxe

College football star, Jim Warren, rebuffs the offer from the owner of a professional football team to play for his team. Jim says he wants to become a doctor instead. He does, however, accept the owner’s offer to visit the club that night, where he meets and falls in love with St. Louis Lou, the club’s singer. He drinks, starts a fight, and gets caught by the college dean. He’s expelled, can’t find a job, and plays for the professional football team while pursuing St. Louis Lou, who pulls strings behind the scenes to benefit Jim’s career. Poor, stiff acting and an unimaginative story, make this film just average. It’s also unrealistic for 30-year-old Johnny Mack Brown to be playing the part of a college kid. Not a good movie but entertaining enough to watch. IMDB: St. Louis Woman

Stolen Sweets (1934) Sally BlaneCharles StarrettJameson Thomas

On her return cruise from Europe with her overprotective companion, wealthy Patricia finds herself bored and depressed. When she runs into a group frolicking on deck, she joins in and experiences the type of fun she doesn’t have in her locked-down life. One of the group falls in love with her, but when he follows her off the ship he sees her kiss her fiancé. At home she yearns for the fun she experienced aboard the cruise ship and for her new-found boyfriend. She’s to marry the rich man her parents chose for her and feels obliged to do so. Her shipboard boyfriend, however, pursues her relentlessly. Looking for a cute, clever romantic comedy? This is it. Well-acted with an engaging plot, corny humor at times but generally funny, sexual innuendos, serious romance, conflicts galore make this film must see viewing. IMDB: Stolen Sweets

Tanned Legs (1934) Arthur LakeJune ClydeDorothy Revier, Ann Pennington, Sally Blane

At a resort, father cavorts shamelessly with a married woman, mother plays with a much younger man, older sister tries to close a marriage proposal with her cad of a boyfriend, and little sister works to save this dysfunctional family. Grifters are also on the prowl. An abundance of bathing beauties, legs galore, risqué dancing, and plenty of singing, amateurish acting and a thin plot highlight backstabbing and intrigue among flirtatious couples and philandering spouses. Lots of bickering, love making, and some violence. Sappy romantic comedy/musical. Worth a look. IMDB: Tanned Legs

Her Private Affair (1929) Ann HardingHarry BannisterJohn Loder

A wealthy married woman wants to end her affair with a cad. She desperately wants to retrieve her love letters, but her lover insists she visit him in his apartment to get them. When she goes to his apartment, he locks the door and moves in to rape her. In the struggle that ensues, she conveniently grabs a gun on a table, the gun goes off, and her lover dies. She later agonizes over the trial of an innocent man accused of this murder. The film features cringe-worthy acting—even hard-to-watch hysterics. The well-worn plot executes well, but the urge to stop watching kept nagging at me. Only watch this movie if you’re desperate for entertainment—really desperate. IMDB: Her Private Affair

Invitation to Happiness (1939) Irene DunneFred MacMurrayCharles Ruggles

As a favor to a friend, wealthy Mr. Wayne buys half interest in a prize fighter. Wayne’s college-educated daughter falls in love with the ‘mug’ who dropped out of grammar school to help support his family. They marry, have a child, and face with the conflict of a woman who wants a family and a man who wants the world championship. This film gets a sluggish start and looks like it could be a dud. But a strong second half, top-notch acting, and a major dose of sentimentality make this film must see viewing. Irene Dunn’s stellar performance and the realistic, powerful fight scene at the end serve as highlights in this film. IMDB: Invitation to Happiness

Playthings of Desire (1933) Linda WatkinsJames KirkwoodReed Howes)

A wealthy playboy dumps his kept lover to marry a young, naive beauty. He can’t give up another long-time lover, however, even after marriage. Tensions grow as he continues his love affair and his young wife falls in love with the neighbor. And then there’s a murder. Beautiful women but atrocious acting and a simplistic, sloppy story make this “less-than-B-movie” barely worth watching. IMDB: Playthings of Desire

Topaze (1933) John BarrymoreMyrna LoyReginald Mason 

Timid, absent-minded Professor Topaze stresses kindness and honesty in his classroom and in life, but he struggles to handle a misbehaving student. The student’s wealthy, influential mother pressures the principal to fire Topaze. A wealthy grifter then enlists Topaze to sponsor his drink that, supposedly, provides medicinal benefits. Based on an original play by Marcel Pagnol, this film was remade a number of times, including Mr. Topaze in 1961 starring and directed by Peter Sellers. This flimsy comedy with moral overtones boasts an impressive cast and worthy production values, but fails to offer more than modest entertainment value. IMDB: Topaze

Rainbow Over Broadway (1933) Joan MarshFrank AlbertsonLucien Littlefield

A once-wealthy, blended family finds themselves on hard times. Two young family members write songs to raise money, but a series of improbable events finally provide their ex-vaudeville step-mother Trixie with a job singing in a high-class club. Her troublesome behavior, though, threatens to ruin the whole affair. This hokey farce padded with musical numbers provides minimal entertainment. Watchable but why? IMDB: Rainbow Over Broadway

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